A Quote by Quentin S. Crisp
It's interesting, the sense of pastoral utopia that exists in so much fantasy - in [Edward ] Dunsany, [John R.R.] Tolkien and so on.
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The Seventies were an interesting time to be a reader or writer of fantasy. Tolkien was the great master. Lin Carter was resurrecting wonders of British and American fantasy from the early twentieth century in his Ballantine Adult Fantasy Series.
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
Building on the work of George Macdonald, William Morris and Edward Plunkett, what became known as high fantasy was more or less invented by J. R. R. Tolkien.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
I love fantasy. I grew up reading fantasy. But, I wanted to put a somewhat different spin on it. The whole trope of absolute good versus absolute evil, which was wonderful in the hands of J.R. Tolkien, became cliche and rote in the hands of the many Tolkien imitators that followed.
I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.
I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
Tolkien is considered the grandfather of fantasy and, for me, I consider myself the grandson, with Terry Brooks as the kind of crazy uncle of fantasy, being the one who brought me into it.
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are the good guys, and everything that's ugly are the bad guys.
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits, and the cute creatures are the good guys, and everything that's ugly are the bad guys.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
It's a weird kind of disconnect that this whole story [he Miraculous Journey of Edward Tulane] grew around a real doll of mine, and here he is, with his "Edward" expression on his face. It's kind of reality bumping into fantasy.
I fell even more deeply in love with Tolkien's legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.
The success that the Tolkien books had redefined modern fantasy.
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