The Chronic represented everything that I hated about hip-hop as a fan, but then later represented everything that I stood for as a musician and engineer.
You start learning English in fifth grade. I was 12. But even before then I was listening to American music. My neighbor was a really big hip-hop fan, so he taught me everything around hip-hop.
You can say, 'Well, isn't it unfortunate that chaos is represented by the feminine' - well, it might be unfortunate, but it doesn't matter, because that is how it's represented. It's been represented like that forever. And there are reasons for it. You can't change it. It's not possible. This is underneath everything.
Hip Hop is the rebirth of civilization. For people who were disconnected from their continent, from their language, from their culture, and from their ancestry, Hip Hop represented a step toward rediscovering what it means to be a Black American, or to be a Latino American.
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.
If patterns of ones and zeros were 'like' patterns of human lives and death, if everything about an individual could be represented in a computer record by a long string of ones and zeros, then what kind of creature would be represented by a long string of lives and deaths?
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
Everybody's not always open to everything. People have biased feelings about certain things, especially in the hip-hop world. The hip-hop world hates homosexuality.
Jay-Z, for a lot of reasons, will always be my favorite. But actually, in terms of what I listen to, it bends towards hip-hop, but I like everything. The only thing I don't really love is country, but everything else I'm a huge fan of.
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Everything affects hip-hop. The question is, how does it affect the money that corporations are going to invest to put out different kinds of hip-hop?
If you watch wrestling, you now know the hip-hop culture is being represented with wrestling. For the longest time, the cultures have almost been parallel.