A Quote by Questlove

My life's goal is to find a happy medium for sampling to be not only legal but for the right parties to benefit from it. There have to be sampling laws. The survival of hiphop is based on that.
I love sampling, and RZA loves sampling, too.
Wandering the book fair at AWP is a great way to get acquainted with a wide sampling of the diverse journals that are out there and the wide sampling of people who produce them.
DJ culture is all about collage - sampling, splicing, dicing - everything is part of the mix, and there are no boundaries between sound sources. When you apply the same logic to the environment, there's a lot of room for mapping sampling techniques to the environment itself.
On one hand you have a string quartet, which is not a symphony. On the other hand is you have me sampling them and making it sound like there is many more people playing, so the whole notion of, kind of, sampling applied to classical music is very intriguing to me because composers throughout history have borrowed motifs and quotes from one another.
I'm bored with DJs. Anybody that puts the title DJ in front of their name immediately turns me off. I prefer the term "sampling," because it has both the dilettante side, like someone tasting wine or caviar, but also functions as a kind of litmus paper dipped into culture. And the whole semi-legality of sampling is very interesting as well. So a DJ is not really creative enough for me to be an appropriate metaphor.
My comfort zone musically, I wouldn't necessarily say I have one now. But, when I did have one, I can definitely identify that it was sampling. I had to identify it honestly as sampling because I started to become dependent on using samples in order to make a track rather than being dependent on myself to make the track because I maybe didn't trust myself enough then.
The Temple of HipHop has declared HipHop its own religion. We believe HipHop is divine. HipHop proves the existence of God.
The music is in no way politically based - I'm not trying to make a point about sampling. It may bring up issues but I'm not trying to push it on anyone.
As I do with most films, I try and find some music that you could use throughout, not just a sampling of lots of different artists.
I know that in the rap game you've got a lot of people, that come from poverty, was born in poverty and if it wasn't for hiphop they'd still be living in that. So when I think of hiphop, I think hiphop saves lifes, hiphop changes lives.
Now everybody's sampling.
I am ultimately comfortable with what I'm sampling.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
I don't do that much sampling. I create all my own sounds.
It's the only thing I really enjoy - so fresh, even now that I'm doing the new sampling. I'm dying to go to the factory, which is like nobody's idea of fun. But it's mine.
I am arguing that it is a mistake for trans activists to focus our resources and attention on winning inclusion in legal equality frameworks, such as anti-discrimination laws and hate crimes laws, that will not provide relief from the life-shortening conditions trans populations are facing. Winning legal equality - getting the law to cast us as victims of discrimination who the state will protect - will not support our survival.
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