A Quote by Quincy Jones
Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.
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Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions.
I know whites buy more records than blacks. So, I wanted to be able to make the most money that I could. Pop is for both whites and blacks, but if I just stuck to rhythm and blues, it's mostly for blacks. I didn't want to do that. So like I said, I wanted to get the most out of it that I could, so I thought that pop was the way to go.
The problem of expressing the contributions that Benny Carter has made to popular music is so tremendous it completely fazes me, so extraordinary a musician is he.
I doubted Black-ish , and I'll tell you why. Because it doesn't matter if a writer wrote it for you. He could've written it with you in mind. But TV is a collaborative art. It involves producers, networks, studios, and many people signing off on you. And a lot of times there are deals in place - actors with studios that they're looking for shows for.
The blues is the foundation for a lot of things. Things have branched off. Its cool how music grows, but the foundation is always there. Its not going anywhere. The blues is always going to be relevant.
The blues is the foundation for a lot of things. Things have branched off. It's cool how music grows, but the foundation is always there. It's not going anywhere. The blues is always going to be relevant.
You could go to New York City, you could go to LA, you could go to the highest class studios in the world, they'll have all the bells and whistles, but it's not going to make your record any better.
Every pioneer and musician who could carry a musket went into the ranks. Even the sick and foot-sore, who could not keep up in the march, came up as soon as they could find their regiments, and took their places in line of battle, while it was battle, indeed.
I was always drawn to performing, but I never thought I could. I have no idea what I wanted to do outside of the old cowboy-or-fireman. When I was in college, I got serious about acting. I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.
He believed that he must, that he could and would recover the good things, the happy things, the easy tranquil things of life. He had made mistakes, but he could overlook these. He had been a fool, but that could be forgiven. The time wasted--must be relinquished. What else could one do about it? Things were too complex, but they might be reduced to simplicity again. Recovery was possible.
Some friends of mine in the class ahead of me in college were auditioning for graduate school in New York, and then a few of them got into Juilliard, and it sort of opened my eyes. I didn't really know anything about it, but it opened my eyes to a possible next step after school, where I could just deepen my knowledge and also not be responsible for life and stay in school.
Facinating." He broke into a wide grin. "I've discovered something, Khufu. This is not Memphis, Egypt." Khufu gave me a sideways look, and I could swear his expression meant, Duh. "I've also discovered a new form of magic called blues music," the man continued. "And barbecue. Yes, you must try barbecue.
A person could leave you so quickly. So much history and time and memories, but they snuck away from you, and other things took their place. How could you hold on? Wait. A bigger question. The biggest. How could you hold on and let go?
You could try and understand people, you could read books and understand words and concepts and ideas, but you could never understand enough or have enough knowledge to keep away the surprises that both fate and human beings had in store.
The eyes sparked a lot of things for me, it could be somebody remembering something they had witnessed or heard about, or it could be the person in the photograph that was experiencing a tragedy or it could also be the spectator looking on from a safe distance.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
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