A Quote by Quincy Jones

A person's age can be determined by the degree of pain he experiences when he comes in contact with a new idea. — © Quincy Jones
A person's age can be determined by the degree of pain he experiences when he comes in contact with a new idea.
I think the stage is set for the appearance of new faiths, centred on the UFO belief. To a greater degree than all phenomena modern science is confronting, the UFO can inspire awe, the sense of the smallness of man, and an idea of the possibility of contact with the cosmic. The religions we have briefly surveyed began with the miraculous experiences of one person, but to-day there are thousands for whom the belief in otherworldly contact is based on intimate conviction, drawn from what they regard as personal contact with UFOs and their occupants.
You can judge your age by the amount of pain you feel when you come in contact with a new idea.
We are not determined by our experiences, but are self-determined by the meaning we give to them; and when we take particular experiences as the basis for our future life, we are almost certain to be misguided to some degree. Meanings are not determined by situations. We determine ourselves by the meanings we ascribe to situations.
The whole notion of pain, and how every individual experiences pain, is up for debate. We don't know how another person experiences pain - physical pain or psychic pain. Some of these clinics where assisted suicide or euthanasia is practiced, they call it 'weariness of life.'
The worth of a new idea is invariably determined, not by the degree of its intuitiveness-which incidentally, is to a major extent a matter of experience and habit-but by the scope and accuracy of the individual laws to the discovery of which it eventually leads.
The soft-minded man always fears change. He feels security in the status quo, and he has an almost morbid fear of the new. For him, the greatest pain is the pain of a new idea.
It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.
There are dimensions to me that are not just the thinking person, but the person who is much richer, the person who has other emotional experiences, psychological experiences, these experiences also enrich me.
When we enter a new situation in life and are confronted by a new person, we bring with us the prejudices of the past and our previous experiences of people. These prejudices we project upon the new person. Indeed, getting to know a person is largely a matter of withdrawing projections; of dispelling the smoke screen of what we imagine he is like and replacing it with the reality of what he is actually like.
Morality makes stupid.- Custom represents the experiences of men of earlier times as to what they supposed useful and harmful - but the sense for custom (morality) applies, not to these experiences as such, but to the age, the sanctity, the indiscussability of the custom. And so this feeling is a hindrance to the acquisition of new experiences and the correction of customs: that is to say, morality is a hindrance to the development of new and better customs: it makes stupid.
Pain leaves a mark, the degree depending on the person and the event.
The greatest pain is the pain of a new idea.
The world fears a new experience more than it fears anything. Because a new experience displaces so many old experiences. . . . The world doesn't fear a new idea. It can pigeon-hole any idea. But it can't pigeon-hole a real new experience.
I think I'm determined. And I think if you're determined, you're right. Your behavior is exactly the same when you're stubborn, except then you're wrong. And so, there's times when I'm wrong, and I'd say, "Well, you were the dark side of determined." But I think determination, you know, it's like have an idea, think about the idea, the risks involved. What does it take to get from here to there? And then once you make the choice, you just keep going.
You just want to have new experiences and work with new people, so the idea of working with someone outside of your discipline is exciting.
Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.
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