A Quote by Quincy Jones
I started imagining this whole different world. It was a society of musicians, a family I hoped I could belong to one day.
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I'd been on the Internet since the 1970s when it was just for nerds. I started saying, 'Who would benefit from this?' I started imagining a world where young people could have their own email address, back in the days of family AOL accounts.
I started acting imagining how happy I would be if I could be on screen one day. I think I act because I love doing it.
Never belong to a crowd; Never belong to a nation; Never belong to a religion; Never belong to a race. Belong to the whole existence. Why limit yourself to small things? When the whole is available.
Well, 'Crunk Rock' doesn't mean rock. Initially when I started the album, I did collaborate with a bunch of rock musicians and producers. But as I started to have time to free my mind and catch different vibes, it started to mean something different.
One of the things we've lost as blacks in the United States is imagining different ways the world could be organized, how this country could be organized, how politics could be organized.
Some people just think utopians are idiots who are imagining rivers of candy and not really engaging with the world's ills, and sometimes that's surely the case, but I think that imagining the perfected society is a way of expressing your disgust with the current state of affairs.
When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.
The world doesn't belong to us, we belong to it. Always have, always will. We belong to the world. We belong to the community of life on this planet--it doesn't belong to us. We got confused about that, now it's time to set the record straight
I started playing when I was 5. I'm from a family of musicians.
Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
As a writer one doesn’t belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn’t belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.
You are whole and also part of larger and larger circles of wholeness you many not even know about. You are never alone. And you already belong. You belong to humanity. You belong to life. You belong to this moment, this breath.
Boredom reigns on all levels. The rain is a welcome change. I have seen the pond swell and the creek surge. I press my palm against the glass, imagining the drops on my skin, imagining where they started out, where they will go, feeling them like a river, rushing, combining, becoming something greater than how they started out.
We have an obligation to imagine. It is easy to pretend that nobody can change anything, that we are in a world in which society is huge and the individual is less than nothing: an atom in a wall, a grain of rice in a rice field. But the truth is, individuals change their world over and over, individuals make the future, and they do it by imagining that things can be different.
Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.
The whole music industry has completely and totally changed from how it was. It's very, very different. When we started, there were loads of record company people throwing money at musicians, and that did give people a long term career.
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