A Quote by Quincy Jones
The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
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Within the black community, roughly 60 percent of children are born to single moms. Moms don't have the emotional wherewithal to deal with their children. Their English is atrocious. Their speaking is atrocious. The dropout rate is horrendous.
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.
The Black Parade only has two songs left. Then you'll have to deal with the likes of My Chemical Romance. Personally...I think their language is atrocious and they don't know how to dress.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
I foresee that man will resign himself each day to more atrocious undertakings; soon there will be no one but warriors and brigands; I give them this counsel: The author of an atrocious undertaking ought to imagine that he has already accomplished it, ought to impose upon himself a future as irrevocable as the past.
It's always baffled me why BET looks the way it does. This is Black Entertainment Television. Why are we up there, then, looking like idiots? It's because black people are marketing black people like that.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.
My dad, who was creative director in the '60s, always wore black jeans with black desert boots; he thought he was cool. He told me to buy a pair as well. I didn't like black, so I got the sand color, and I've been wearing them since college.
When I look around, I see so many incredible Black performers, inside and outside of our company. It feels like a really great time for Black wrestlers, and there are so many Black wrestling fans that I feel are starting to see themselves on screen.
It's very lonely being a prominent black intellectual at an institution where you're the only prominent black intellectual. That was the model that was followed in the late 60s when black studies started. You'd get one here and one there and one here, like Johnny Appleseed.
I'm an atrocious business man, because it's just not the way I think about things. And that's pretty much what all that Grammy/MTV kind of stuff is tied into.
Black women have never embraced feminism. They didn't embrace it in the '50s and '60s; they're not embracing it now. That's not new. I think it's a tendency among women in general not to be supportive of each other.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
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