A Quote by Quindon Tarver
[Baz Luhrmann] is very serious - he wants it done and he wants it done accurately. He was in the studio actually when I recorded "Everybody's Free." I remember meeting him and him being amazed by my voice.
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I just remember him [Baz Luhrmann] making me laugh, and his accent.
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
The Enemy wants to bring the man to a state of mind in which he could design the best cathedral in the world, and know it to be the best, and rejoice in the fact, without being any more (or less) or otherwise glad at having done it than he would be if it had been done by another. The Enemy wants him, in the end, to be so free from any bias in his own favour that he can rejoice in his own talents as frankly and gratefully as in his neighbour's talents--or in a sunrise, an elephant, or a waterfall.
God wants you to be delivered from what you have done and from what has been done to you - Both are equally imporant to Him.
I was once up for a part, and the male star was also producing the movie. They were talking about meeting with him or having an audition with him, and then we get the message, 'He wants to have dinner with you.' I said, 'Is that the audition, or is it that he just wants to have dinner with me?'
It's a question of methods. Everybody wants results, but nobody wants to do what they have to do to get them done.
Putin is just maneuvering. He wants to be respected. He wants to be an important player in global politics. He wants people to negotiate with him and he wants to have the trade-offs here and there and spheres of influence. He's very much a person of the 20th century in the global and geopolitical space.
I'm proud of [Big] K.R.I.T., I'm proud that the person that came after me shares so many similar views [as mine]. From him being a producer, to him being a God-fearing man - being political in a sense that he wants to see the poverty-stricken do better. He wants to be the spokesperson for them.
At any particular moment in a man's life, he can say that everything he has done and not done, that has been done and not been done to him, has brought him to that moment. If he's being installed as Chieftain or receiving a Nobel Prize, that's a fulfilling notion. But if he's in a sleeping bag at ten thousand feet in a snowstorm, parked in the middle of a highway and waiting to freeze to death, the idea can make him feel calamitously stupid.
He wants you to smile and smell sweet and be his lady love. He wants to hear you recite all your pretty little words the way the septa taught you. He wants you to love him... and fear him.
If a player needs money, and that's a decision he's willing to make to go to college based on name, image and likeness, where he can make more money instead of where he wants to go to school, why don't we give him the choice to go to the NFL if he's ready to go and if the NFL wants him to go? Basketball has done it for years.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
All one wants to do is make a small, finished, polished, burnished, beautiful object . . . I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself.
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
Leadership is the ability to get a person to do what you want him to do, when you want it done, in a way you want it done, because he wants to do it.
I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
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