A Quote by Quintilian

Prune what is turgid, elevate what is commonplace, arrange what is disorderly, introduce rhythm where the language is harsh, modify where it is too absolute. — © Quintilian
Prune what is turgid, elevate what is commonplace, arrange what is disorderly, introduce rhythm where the language is harsh, modify where it is too absolute.
Every time you'd turn on the set you'd see me eating a prune in a prune ad. My friends used to call me Prune Boy, even on the football field.
Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked and exposes our selves completely.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Prune - prune businesses, products, activities, people. Do it annually.
As I watched the seagulls, I thought, That's the road to take; find the absolute rhythm and follow it with absolute trust.
Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
The common faults of American language are an ambition of effect, a want of simplicity, and a turgid abuse of terms.
One sacrifice has to be made: never use harsh or rude language. Foul language you can use; foul language doesn't hurt. Foul language is forgivable (though it is bad). But rude language cannot be forgiven.
It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.
The characteristic of the hour is that the commonplace mind, knowing itself to be commonplace, has the assurance to proclaim the rights of the commonplace and to impose them wherever it will.
Too many memoirs focus on childhoods and it's a bit turgid.
The language of art is a 'parabolic' language, with a special openness to the universal: the 'Way of Beauty' is a way capable of leading the mind and heart to the Lord, to elevate them to the heights of God.
The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm.
Cliche refers to words, commonplace to ideas. Cliche describes the form or the letter, commonplace the substance or spirit. To confuse them is to confuse the thought with the expression of the thought. The cliche is immediately perceivable; the commonplace very often escapes notice if decked out in original dress. There are few examples, in any literature, of new ideas expressed in original form. The most critical mind must often be content with one or the other of these pleasures, only too happy when it is not deprived of both at once, which is not too rarely the case.
Really, doesn´t everything make sense? There are, of course, things from which we more or less recover, although some of them are too harsh even for saints. But that is no reason to accuse God. Even if there are reasons to doubt him, the fact that he did not arrange the world like a well-ordered parlor is not one of them. It speaks rather in his favor. This used to be much better understood.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
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