A Quote by Quintilian

Men of quality are in the wrong to undervalue, as they often do, the practise of a fair and quick hand in writing; for it is no immaterial accomplishment. — © Quintilian
Men of quality are in the wrong to undervalue, as they often do, the practise of a fair and quick hand in writing; for it is no immaterial accomplishment.
Practise, practise, practise writing. Writing is a craft that requires both talent and acquired skills. You learn by doing, by making mistakes and then seeing where you went wrong.
Quick to judge, quick to anger, slow to understand... prejudice, fear and ignorance walk hand-in-hand.
To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.
Performance is there, and if you are not there in that moment it happened, it just stays in the memory. It's so immaterial and something this immaterial is very difficult to collect. Its difficult to buy, its how we can buy immaterial art.
When you undervalue who you are, the world will undervalue what you do and vice versa.
a father for whom everything is an unshakable duty, for whom there is a right way and a wrong way and nothing in between, a father whose compound of ambitions, biases, and beliefs is so unruffled by careful thinking that he isn’t as easy to escape from as he seems. Limited men with limitless energy; men quick to be friendly and quick to be fed up; men for whom the most serious thing in life is to keep going despite everything. And we were their sons. It was our job to love them.
Children are very quick observers; very quick in seeing through some kinds of hypocrisy, very quick in finding out what you really think and feel, very quick in adopting all your ways and opinions. You will often discover that, as the father is, so is the son.
When you undervalue what you do, the world will undervalue who you are.
Is it fair for the bears to come down to where humans live, looking for food? Is it fair for the Duke's soldiers to shoot at them? Is it fair for the bears to crush them with giant snowballs? Often, if you point out something that isn't fair, someone will reply, "Life isn't fair." What is to be done with such people?
The process of writing a story isn't about fair. It's about getting to the heart of your story, getting to the truth of it. It transcends ideals of fair and unfair, right and wrong.
I am wrong more often than i am writing and even then i am often wrong
A low capacity for getting along with those near us often goes hand in hand with a high receptivity to the idea of the brotherhood of men.
I often speak about tennis being one of the most important sports when I was growing up, for my hand-eye coordination and quick feet.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
We often tend to think that the executive wishes to maintain standard, wishes to reach a certain quality of production, and that the worker has to be goaded in some way to do this. Again and again we forget that the worker is often, usually I think, equally interested, that his greatest pleasure in his work comes from the satisfaction of worthwhile accomplishment, of having done the best of which he was capable.
If rulers learn to undervalue the lives of their own subjects by the custom of war, how much more do they undervalue the lives of their enemies! As they learn to hear of the loss of five hundred or a thousand of their own men, with perhaps less feeling than they would hear of the death of a favorite horse or dog, so they learn to hear of the death of thousands after thousands on the side of the enemy with joy and exultation.
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