A Quote by Quintilian

Write quickly and you will never write well; write well, and you will soon write quickly. — © Quintilian
Write quickly and you will never write well; write well, and you will soon write quickly.
I don't write quickly or a lot. Well actually I write quickly, but I don't have a store of things. I will wait for that erotic moment - like the one which struck me when someone said "have you ever heard of Kester Berwick?"
Loving your subject, you will write about it with the spontaneity and enthusiasm that will transmit itself to your reader. Loving your reader, you will respect him and want to please him. You will not write down to him. You will take infinite pains with your work. You will write well. And if you write well, you will get published.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.
When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.
Whatever you have lived, you can write & by hard work & a genuine apprenticeship, you can learn to write well; but what you have not lived you cannot write, you can only pretend to write it.
I write four books a year. I'm very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.
If you can't write well then your ambition to become famous in this way will be frustrated. Either that or you have to get an amanuensis who will write for you.
It has no meaning, what do you use to write, the only thing that is important is: what do you write. A machine to write a book instead of a writer is not invented yet, and probably will never be.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
Write," he said. "I'll write to you as soon as I get there," answered Julian. "No. Not to me. Write books. Not letters. Write them for me, for Penelope.
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