A Quote by Quinton Jackson
I don't really want to fight the real big boys, because I noticed that I tried to pick Ishii up at the end of the fight, I was trying to go for a slam and I was like, 'This dude is too big.'
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I do not care who I fight. Line them up. I will let the fans pick. That is the way to do it because I am a fans' fighter. I want to fight the people they want me to fight. I will fight Tyson, Lewis, Tua, Rahman, whoever. I am a real fighter. You do not see too many real fighters out there today. You have these patsy papier - mâché champions.
Every little boy wanna pick up the mic,
And try to run with the big boys and live up to the real hype.
But that's like pickin up a ball, playin with Mike,
Swingin at Ken Griffey or challengin' Roy to a fight.
This is what I tell, especially young women, fight the big fights. Don't fight the little fight... Be the first one in, be the last one out. Do your homework, choose your battles. Don't whine, and don't be the one who complains about everything. Fight the big fight.
You don't want to pick a fight with just the guy at the deli, [you want to] pick a fight somewhere in the world and just run towards it. Run because the fight is going to go on without you if you miss it.
Since when does a dog care about what it humps? (Dev) I could go so low with that that even the gutter would envy us, but…I know what you’re trying to do. You’re trying to provoke a fight with me so that you can legally turn me away. I really, really want to give you that fight, too, but I have to see Sasha and it can’t wait. Sorry. We’ll have to hump and fight later. (Fury)
I felt like my Ellenberger fight, I think I fought a really good fight. I was technically on-point, I was sharp, and watching the fight I wasn't disappointed. But I didn't have fun at the end of the day, and that's what I do this for. I want to express myself when I'm up there, like an artist painting a picture.
When I was growing up, there was always somebody who wanted to pick a fight with me. I'd say, I'm not a famous boxer, my father is. If you want to fight somebody, go fight my Dad.
In any fight that I go into, I don't like to complain about stuff because at the end of the day, a fight's a fight.
Yes, I think about having a career in boxing, but I want to start from the bottom, start from zero. I want to get ranked and one day fight for a belt. I don't want to fight just to fight, for money, to go after big fights and challenge a great champion.
You don't want the fight to stop on a cut or something like that. You want to finish the fight. You always have the idea that you have the chance to stay in a fight, because one blow can end it all.
Barboza is up there. He's a scary fight, but I like being scared. And that's a fight that me, as a fan, would want to see. I know how much fans would love something like that. So I'll go out there and try to finish that dude with leg kicks.
Like when I fought Akebono - six foot eight, 490 pounds. Before the fight, everyone's like 'Man, you're crazy. You're out of your mind. How are you going to fight a guy that big, there's no way you can take him down. You cannot punch him out. You're out of your mind.' After the fight, everybody was like 'Oh come on, he's big and fat.' Really?
The great thing about rock n' roll is, if you want to fight - like, fight the system, fight the man, fight the government, fight the people in front of you - it's Don Quixote all over again. You're really chasing windmills.
My favorite fight was when I fought Rampage. I always wanted to fight Rampage because of the way he fights. It's about pride. The way he comes forward. My friends in Brazil would always tell me they wanted me to fight Rampage. When I fought him, it was a big deal for me. It was the first big fight I was in. It was a great fight.
I believe that every fight we've had is a big fight, and every fight we've had is a fight where I've learned a lot of things in the ring, I learn about myself, and it's sort of pushed me to know where I can go.
We've got to fight against bigness. If a school gets too large, you lose an intimacy with the students; they begin to feel they're just part of a big complex. I don't think you can create too well in a big plant. That's why I always tried to avoid bigness in the studio.
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