A Quote by Quinton Jackson

I like to see my hand raised at the end of the night. I like when the ref raises my hand. That's why I shave my armpits like the professionals wrestlers. I like to see my arm raised.
Like is an emotion. Emotions”—he raised a hand, made a fist, clenched it tightly—“are like holding water. You open your hand, there’s nothing there. Better to be a weapon than a woman.
Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes.
We can talk about the value of sportsmanship on one hand, and on the other hand, the leading shots, highlights ... you see every night are the outrageous and unsportsmanlike, so I think there is a double standard here. On the one hand, we complain about it, on the other hand it's the first thing you see every night.
I shook Obama's hand and I said, 'I want to be your friend.' My hand is still outstretched. I am not Obama's enemy, but it's difficult not see imperialism in Washington. Those who don't see it don't want to see it, like the ostrich.
He pushed away from her and raised his arm, forcing his stump into her face. "A Hand without a hand? A bad jape, sister. Don't ask me to rule.
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
Like so many other people I was raised right, went crazy but I always knew God had His hand on me.
To be able to stand on the podium and see one Canadian flag raised is one thing, but to see two, it feels like you're not alone.
On the one hand, I'm so relieved that I've actually managed to finish my very first series and that I've been able to see my characters through to the end of their journeys. On the other hand, I feel like how parents must feel when they send their kid off to college. It's a bittersweet mix.
If you look in the mirror and don't like what you see, you can find out first hand what it's like to be me.
The Marquis sighed. "I thought it was just a legend," he said. "Like the alligators in the sewers of New York City." Old Bailey nodded, sagely: "What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. "It was OK," gurned Old Bailey with a grin that was most terrible to behold. "He had another.
I'd like to do what I see in my head. I always feel like I'm directing with one hand tied behind my back.
And quit baring your fangs at me. It's making me nervous." "Good," Simon said. "if you want to know why, it's because you smell like blood." "It's my cologne. Eau de Recent Injury." Jace raised his left hand.
Being able just to worry about what it is I do best, going in there and beating somebody up, getting my hand raised - that's what I really like doing.
I don’t like to live in fear about things like rumors and backlash to begin with - that’s the way I was raised - but I just can’t see what’s so wrong about being gay.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
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