A Quote by Quique Setien

Any footballer who understands space and time and positioning can become a better player because he knows how to receive the ball alone with time to play a pass or shoot. — © Quique Setien
Any footballer who understands space and time and positioning can become a better player because he knows how to receive the ball alone with time to play a pass or shoot.
You've got to learn the footwork, the positioning, how to box out, how to pass, how to shoot your free throws. All these things are necessary, not to be the No. 1 player in the world, but maybe you can play against him.
For me, David Silva is a fantastic player because his technique is incredible, and he understands when the right time to pass the ball is.
What makes me a selfish player? Because I shoot the ball? I'm supposed to shoot the ball. That's how you score points. Those points go on the scoreboard for the whole team.
I believe that box lacrosse gives young people many more opportunities to excel in our game. If I had my choice, I would have every player under the age of twelve play box lacrosse exclusively or at least a majority of the time. The number of touches of the ball and the ability to develop better stick skills in a game of box lacrosse, far surpasses what happens to young people on a 110 x 60 yard field. Learning how to pass and catch in traffic, understanding how to shoot, and developing a sense of physicality are all positive traits developed by the box game.
I just trust my teammates to be able to make the right play - I don't have to score every time I have the ball, or shoot the ball every time I have it.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
The players start to recognise your game, start to know how you move, how you pass, how you shoot and the things become difficult now. So now I need to improve more and to work more and understand more the teams who I play against because they will understand me better, but I need to be prepared to understand better the difficulties they can have.
I feel more comfortable where I play for Colombia because I like to be closer to the goal; that works better for me. I can score and pass from there. But as a player, I have to be prepared to play in any position.
Time is the most valuable thing on earth: time to think, time to act, time to extend our fraternal relations, time to become better men, time to become better women, time to become better and more independent citizens.
I could never get bored talking about him, he was my favourite player. I loved watching him because he did everything you'd want to see in a footballer. He could dictate the pace of a game; he could take it by the scruff of the neck and control it; he could score decisive goals; he could make the killer pass; he could switch the play, open teams up, slow the game down, quicken it up; whatever was needed. He would take the ball anywhere on the pitch He was such a selfless footballer, too Scholesy was the man, all right.
Time and space - time to be alone, space to move about - these may well become the great scarcities of tomorrow.
I think I was called 'the pianist' because of the way I play. It's true that I don't score many goals, just a few, but they are beautiful when I do score! I think it's more about my style of play, how I touch the ball, how I pass the ball, how I move it.
I like Mourinho's sessions: very dynamic, always with the ball. There are no really long sessions or talks. He understands what a footballer needs: twenty minutes, that's it. No time to lose concentration.
At that time, I feel sad, and I feel no one knows how hard I work and how many tears. They only know the score. At that time, I feel very lonely because no one understands since they haven't been world No. 1 before.
In small space a player has to be capable of acting quickly. A good player who needs too much time can suddenly become a poor player.
You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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