A Quote by R. A. Salvatore
Nostalgia is a necessary thing, I believe, and a way for all of us to find peace in that which we have accomplished, or even failed to accomplish. At the same time, if nostalgia precipitates actions to return to that fabled, rosy-painted time, particularly in one who believes his life to be a failure, then it is an empty thing, doomed to produce nothing but frustration and an even greater sense of failure.
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I don't think nostalgia is a healthy modality. But nostalgia and a sense of history are not the same thing. Nostalgia is a dysfunction of the historical impulse, or a corruption of the historical impulse.
A failure remains a failure only if we refuse to learn from it. Any situation that teaches us greater humility, sobriety, wisdom about self and others, responsibility, forgiveness, depth of reflection, and better decision making -\-\teaching us what's truly important-\-\is not an ultimate failure. Sometimes what we deem a failure at the time it happens actually serves to foster a change within us that creates an even greater success down the road.
Life is an endless, truly endless struggle. There's no time when we're going to arrive at a plateau where the whole thing gets sorted. It's a struggle in the way every plant has to find it's own way to stand up straight. A lot of the time it's a failure. And yet it's not a failure if some enlightenment comes from it.
I believe nostalgia has many appearances and that it's not just the privilege of adults. I think children too can have nostalgia. It's one of mankind's most shared emotions. It's one of the things that makes us human. When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia.
Reading Ngo Tu Lap's poems, terrible nostalgia wells up in me- nostalgia for a lost time and a far-gone country, nostalgia for people I've loved, and for creatures of forests and rivers. I feel gratitude too. War is over. Peace arrives with these beautiful poems.
In every failure is the seed of success...
Our failures are stepping stones in the mechanics of creation, bringing us even closer to our goals. In reality, there is no such thing as failure. What we call failure is just a mechanism through which we can learn to do things right.
I failed the LSAT. Basically, if I had not failed, I'd have been a lawyer and there would be no Spanx. I think failure is nothing more than life's way of nudging you that you are off course. My attitude to failure is not attached to outcome, but in not trying. It is liberating.
Failure is an option. It's what you do with the failure that makes you who you are. Our failures mold us. I have failed at several things in my life. What sets some of us apart, is that when we fail, we can't sleep at night. It haunts us until we have our time at redemption.
Why is nostalgia such a bad thing? Nostalgia is a longing to return. If you really loved where you came from, if, in essence, you really loved yourself, how can you not want that to exist? It's like wanting your parents keep living.
In truth, it's usually failure, disappointment, and frustration that motivate people to reexamine that which they've taken for granted. It's rare to find big change without significant bad news. ... In that sense, the pain of failure creates the largest opportunities for progress.
What then is to be the lot of Rossetti's fame and influence? 'An amateur who failed in two arts', it is true; yet it hardly harms Rossetti or touches his standing. On the contrary, it defines both very brilliantly. The small word 'failed' is a small word and little more to artists who are forever going on until they give up over a game that must be lost. Every artist, when confronted by the immensities of art, which is life, must confess to failure. A failure is a thing very relative.
When we are young the idea of death or failure is intolerable to us; even the possibility of ridicule we cannot bear. But we have also an unconquerable faith in our own stars, and in the impossibility of anything venturing to go against us. As we grow old we slowly come to believe that everything will turn out badly for us, and that failure is in the nature of things, but then we do not much mind what happens to us one way or the other. In this way a balance is obtained.
Peace was the one thing that Max (Ernst) needed in order to paint, and love was the one thing I needed in order to live. As neither of us gave the other what he most desired, our union was doomed to failure.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.
The key then is to find your own mountain, otherwise you will be competing with people who are not even in your event, and running up against the 'shoulds' and 'oughts' of that world, and the inevitable frustration and depression and feelings of failure. A person can be complete or incomplete, but one thing is sure, he cannot be someone else.
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