A Quote by R. A. Salvatore
So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.
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I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
When he stopped walking and kissed me a few minutes later, it was like time had stopped, with the air, my heart, and the world all so still. And it was this I remembered every other time I was with Marshall.
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
They had stopped now and he gave a glance up at the sky, through the trees, as though to see how much time was left. Amber, watching him, was suddenly struck with panic. Now he was going--out again into that great world with its bustle and noise and excitement--and she must stay here. She had a terrible new feeling of loneliness, as if she stood in some solitary corner at a party where she was the only stranger. Those places he had seen, she would never see; those fine things he had done, she would never do. But worst of all she would never see him again.
I had the easiest publishing experience in the entire world. I sent out fifteen courier letters to agents, got five no replies, nine rejections and one I want to see it. A month later I had an agent. Another month later I had a three book deal with Little Brown.
Marc Almond has done a couple of covers, a few people in Europa have done them. I own all the publishing. It's never really been addressed, as I haven't had the time to go out and tout the songs.
I was crying when I was editing [Beacher] but I stopped all the screenings years ago because I had a headache but then I had seen it again... Well I always cry at the same place, when they play that song "Wind Beneath My Wings". It gets you.
I never thought that it would take me so long to do something. I thought everything was temporary and sometimes the best thing you have working in your favor is a bad sense of time. In order to sit down and write a book that takes six years you have to have a screwed up sense of time because that's too daunting. No one is going to pick up a pen and a piece of paper and say, "Okay, six years, here we go."
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
To my everlasting relief, he’d also stopped with the starch a few years back . The military made him big on spray starch, but I point-blank refused to touch the stuff after a while. He finally gave up doing it himself, and I manfully restrained myself from pointing out that the world didn’t explode when he did. And they say maturity is just for adults.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
Aravis also had many quarrels (and, I'm afraid, even fights) with Cor, but they always made it up again: so that years later, when they were grown up, they were so used to quarrelling and making it up again that they got married so as to go on doing it more conveniently.
In his sophomore year Wilbanks tried out for the high school basketball team and made it. On the first day of practice his coach had him play one-on-one while the team observed. When he missed an easy shot, he became angry and stomped and whined. The coach walked over to him and said, "You pull a stunt like that again and you'll never play for my team." For the next three years he never lost control again. Years later, as he reflected back on this incident, he realized that the coach had taught him a life-changing principle that day: anger can be controlled.
We had a great childhood and boyhood. It was a wonderful time through those years. A lot of it was through the Depression years, when things were tough, but my dad always had a job. But I had a great time. I was kind of restless, and I had a hard time staying in school all day, so me and a few pals would duck out and go out on these various adventures.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.
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