A Quote by R. D. Laing
We must remember that we are living in an age in which the ground is shifting and the foundations are shaking. I cannot answer for other times and places. Perhaps it has always been so. We know it is true today.
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Are there not some places where we seem to breathe sadness? — why, we cannot tell. It is a chain of recollections — an idea which carries you back to other times, to other places — which, very likely, have no connection with the present time and place.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
We’re not living in an age of no hope. We are living in the age of choice, which is much scarier. It means that what we do every day matters, which is always a bummer for humans. But it’s a great thing and it’s inspirational and we need to remember that. We have a long way to go and not a long time to get there.
In this box are all the words I know… Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is use them well and in the right places.
In years of interviewing presidents, prime ministers and chief executives all over the world, I can remember only a handful of times in which a leader has said: 'I don't know' in answer to a question. Perhaps everyone I have ever interviewed knows everything about everything, but I doubt it.
At all times it has not been the age, but individuals alone, who have worked for knowledge. It was the age which put Socrates to death by poison, the age which burnt Huss. The ages have always remained alike.
You know that the population is of this planet is now ten times greater than it was in the ages preceding capitalism.; you know that all men today enjoy a higher standard of living than your ancestors did before the age of capitalism. But how do you know that you are the one out of ten who would have lived in the absence of capitalism? The mere fact that you are living today is proof that capitalism has succeeded, whether or not you consider your own life very valuable.
If you look at the field of robotics today, you can say robots have been in the deepest oceans, they've been to Mars, you know? They've been all these places, but they're just now starting to come into your living room. Your living room is the final frontier for robots.
At all times, in every century, every age, there has been such a connection between despotism and religion that it is infinitely apparent and demonstrated a thousand times over, that in destroying one, the other must be undermined, for the simple reason that the first will always put the law into the service of the second.
Lest I keep my complacent way I must remember somewhere out there a person died for me today. As long as there must be war, I ask and I must answer was I worth dying for?
I think historically there have always been new ways to find an artist. From seeing somebody in a club traditionally to running across them on YouTube, it's always shifting. But the age-old thing holds true: Is the artist unique? Are they talented? And can they communicate? Can they actually reach an audience and hold their attention?
I don't know the real answer, my answer to anything which is essentially human relations is education. Whatever the answer is, education must be its measured component and if you try to educate with generosity not with triumphalism I think sometimes it works, especially young people, that's why I teach, I've been teaching all my life.
We turn to God for help when our foundations are shaking, only to learn that it is God who is shaking them.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included.
Good designers must always be avant-gardists, always one step ahead of the times. They should – and must – question everything generally thought to be obvious. They must have an intuition for people’s changing attitudes. For the reality in which they live, for their dreams, their desires, their worries, their needs, their living habits. They must also be able to assess realistically the opportunities and bounds of technology.
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