A Quote by R. J. Cutler
'The September Issue' is really a film about Anna Wintour's relationship with long time 'Vogue' Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.
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Anna Wintour is the most powerful woman in the global fashion industry, the first lady of fashion. She's a politician; I'm a stylist. They are two very different jobs.
For eight months, from January to August of 2007, I filmed with Anna Wintour and her team at 'Vogue' as they created the September 2007 issue of the magazine.
I knew Anna Wintour was the editor in chief of Vogue,' I just didn't understand what it meant to wait around to meet with Anna Wintour.
The whole process of being one of the 10 finalists for the 'Vogue' Fashion Fund award has to be my biggest achievement to date. Meeting Anna Wintour, Diane von Furstenberg, etc., has been an amazing experience that even now gives me goose bumps when I think about it.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
When you're in a relationship with someone, it's so much about tearing down the walls between you two that you sort of confuse what is you and what is them. When you lose them, you question: 'What is left of me?'
I also really loved the friendship between these two women, and watching these two very different women working in this gritty male environment. That was really the reason that I wanted to be a part of it. And, I went in and met with the producer and the director that did the pilot, Mike Robin, and read with them. And then, I did a read with Angie Harmon, who was already cast. From the moment we read together, it just clicked. It was as easy as that.
I think that the two of them have been doing this for a really long time and it is more like sport. Yes, they would love to find a lasting relationship, but it's not likely to happen the way they are going about it.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
Now I'm a wife and a mother of two. It's a really different role. I always referred to No Doubt as a marriage, because that's what it's like to be together for so long and go through what we've been through. I can't really have that relationship with them anymore.
However, I keep reminding them that this issue is not a new issue that has come out for this election. This issue has been in the courts for two years and two months now.
In our country, there must be two time zones to save working hours. Why we don't have it, I have been talking about this issue for a long time.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
I don't think enough people have accepted that the machines have already taken over. They are patiently waiting for us to catch up with them. Our world is now interdependent with the machines, and more entrepreneurs should be working on the symbiosis between the two entities.
It's hard for two actors to be together. Take the traveling, for instance. It winds up being a long distance relationship, all the time, because one's working here and one's working there, or one's staying at home and one's off someplace else.
It's hard for two actors to be together. Take the traveling, for instance. It winds up being a long distance relationship, all the time, because one’s working here and one’s working there, or one’s staying at home and one’s off someplace else.
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