A Quote by R. J. Cutler

'Taxicab Confessions' always cracks me up. And if you are in the mood for a good game show, I like 'Survivor' because it's well made. — © R. J. Cutler
'Taxicab Confessions' always cracks me up. And if you are in the mood for a good game show, I like 'Survivor' because it's well made.
I don't really have guilty pleasures - I like what I like. But I've seen a lot - a lot - of 'Taxicab Confessions.'
I see myself as a survivor, and I'm not ashamed to say I'm a survivor. To me, survivor implies strength, implies that I have been through something and I made it out the other side.
My confessions are shameless. I confess, but do not repent. The fact is, my confessions are prompted, not by ethical motives, butintellectual. The confessions are to me the interesting records of a self-investigator.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
I've always thought of wholeness and integration as necessary myths. We're gragmented beings who cement ourselves together, but there are always cracks. Living with the cracks is part of being, well, reasonably healthy.
Why more reality-based TV? You'd think that after the first 'Survivor' it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories and want to see more and more. Every new 'Survivor' is going to show you more.
When I took drum lessons as a kid the teacher would always ask me if I practiced, and I'd be like 'nope' and he'd be like: "Well you're not going to be able to play the beat." So I would ask him to show me, and he'd show me and I'd be able to hear it and play it, so I've always not really been good at reading things.
I've found in the past that if we planned the show a night before, once we slept and woke up, we weren't in that mood anymore. Because I really think doing a live show means you should be exploring your live feelings, and planning is not good.
I went to New York for Fashion Week and girls showed up waiting to see me. It's funny because there's a group of girls who I actually recognize because they always show up. It's nice and I'm like, 'Hi girls! I recognize your faces!' It's just like a feel-good experience.
Tell me what I can do to help you feel better." Well...I always like when you kiss me... "Do you?" You're good at it. "Well, that's lucky. Because I'll always be kissing you.
I get friends that ask that all the time, and I remember my mother asking me a couple of times, because there was no action during a game, 'did you play?' It's so weird. Everybody's like, 'Great game, great game.' And because I demand so much of myself, I'm like, 'Well, I didn't do that great, because I didn't have any stats.'
Lots of people will contact me on Friday night, male and female. Everyone likes me because it's always a fun time being with me. I'm the life of the party, really. It doesn't matter the situation because I'll always bring the mood up.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's something I just felt really captured the mood of the show very well.
For me it's like really exciting to see all my fans showing this love to me. So it's a responsibility to me to go out there every game and try to be a good player try to show good things because my fans expect that I do something special.
If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'
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