A Quote by R. Kelly
I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
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I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
I used to get criticized for doing a 'Bump & Grind' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
I like myself better when I'm writing regularly. ... I was influenced a lot by those around me-there was a lot of singing that went on in the cotton fields. ... I'm a country songwriter and we write cry-in-your-beer songs. That's what we do. Something that you can slow dance to...I never gave up on country music because I knew what I was doing was not that bad. ... Most of the stuff I've read about me has been true.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
I released that I could crank out a song if I practiced it a lot. If I am in the practice of writing songs everyday or every other day, getting ideas and following through with them, and not just saying "I've got this idea, but I will get to it at some point." If I actually sit down and not be lazy, and follow through with it then you just get in the practice of doing things. It feels very productive, and then it gets a lot easier, because you are working the muscle in your brain. The "song-writing muscle" so to speak.
I saw my dad doing it and thought to myself, 'I can do that.' I would be backstage watching him and running around the country with him singing to children. He would sing songs that taught children really good morals: like, 'Teaching Peace' was a song he used to sing to kids a lot.
I'm glad I've never been so successful that I couldn't stop doing one thing. I've kind of been able to just kick it along and switch around.
I love 'The Gospel Truth,' the song that opened up 'Hercules.' I thought that song was a lot of fun, and I really enjoyed producing that and writing that.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
I think one of my highpoints was definitely well, everything started turning around on Barry Manilow week. I had so much fun on disco week, love disco music. I think I picked some songs that really worked for me and people really enjoyed them. I loved doing the Donna Summers song and she was the guest judge, and she was the guest judge and I felt honored. She said she loved the song and said I made it my own.
There's a lot of actors that I admire because they can just switch one second into the character. Then, they go back to jokes, and then they're doing something really dramatic. I can't do that. I have to really focus.
My dad one time told me, he was like, 'The only time you should lie is when someone's holding a gun to your head and says 'Okay, lie or I'm going to shoot you.' And that really stuck with me. I think about that a lot. I used to not be really honest with girls and then I dropped a song called "Starry Room" and then I started turning over a new leaf. Now, I'm completely honest with girls all the time and they just get mad at me.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
When I was doing 'In the Heights,' I was the co-music supervisor for 'The Electric Company' on PBS, so I was writing songs all day, doing the show, staying up until 3 A. M. Writing more songs, recording demos in the intermission in my dressing room.
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