A Quote by R. Kelly
I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
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The way to learn the language is to rip off other players. As Benny Golson told me, "We all start off sounding like other cats. And gradually, a lick here or there,we start to sound like ourselves. But it takes a long time to do so..." That'swhat he told me, and it worked for me.
When somebody walks out, it leaves a hole in you. Some people fill it up, the good and the bad, and get on that way. Some people leave it open, maybe long enough to heal, maybe too long, picking at it now and then so it doesn't heal all the way.
So as long as I can do something like this kids show or I can go off and film polar bears or I can do some radio and stuff, and sort of keep other strings in my bow working, then it's good.
I've always been that way. I'm not very good at reading music but I'm pretty quick at picking things up.
All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?
Whenever I go jamming, people are looking to cut me. The young ones learn my stuff and come play it at me, and I have to learn other stuff. I feel a lot of pressure. But it's cool. It's a good pressure.
I don't think I ever heard music playing when I was younger, other than the radio. My parents got me a Walkman and stuff like that, but I was always way more into listening to music than they were.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
I didn't study anything really. I didn't learn out of the books because I couldn't read music very well, so it is what they say it is - you learn from other people. And my cohorts and I would sneak around the coffee shops and hear stuff we wanted to learn, and then you ask whoever was playing it to teach you.
Breakfast is a peaceful moment for me, so I never have the radio on, no music, no noise around. The only noise that is permitted is people's voices. It's a way for me to wake up without too much of a high speed feeling.
I'm totally up for experimental music. I'm up for music that they don't play on the radio, and I take in all of it. But my thing, the thing that comes most natural to me, is making the stuff that has a melody; it has a soul to it, yet it's head music.
When I started music, I started out in Puerto Rico with classical music. But what really made me want to be a musician was jazz, and because I didn't grow up with jazz, I had to learn it from a very basic level. I had to go into the history and learn everything about the development of the music, all the players and all that stuff.
My obsession with outer space is my way of being different. I make astronaut music. It takes an astronaut so long to get to space - that's how long it takes to catch up on my music.
It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.
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