A Quote by R. L. Stine
I've had a very sheltered life. What can happen to you if you stay home writing all day?
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I found that life intruding on writing was, in fact, life. And that, tempting as it may be for a writer who is a parent, one must not think of life as an intrusion. At the end of the day, writing has very little to do with writing, and much to do with life. And life, by definition, is not an intrusion.
In America, we tend to be very sheltered, and I'm speaking from personal experience because I feel sheltered.
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
I was very sheltered growing up, so the only real beauty exposure I had was my mom. And still, to this day, she is my number 1 beauty icon.
I am a writer who came of a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.
Even successful musicians have had periods where people say they suck and no one likes them, even after they've had periods of great success. So I think it's like you just gotta do you and try to stay motivated. Until, you know, you decide to stay home and make spaghetti all day.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
I don't like to think in terms of writing ten or twelve pages a day. Usually I'm writing a scene, and it's always with the idea, "I wonder what is going to happen." Or sometimes I write about something that affected me emotionally the day before and that I don't want to lose. I'm very unorganized at first; but finally it comes into a structure where consciously I'm working on a novel per se.
I reached that day that I always thought might happen, where I say to myself I don't want to do this anymore. I'm looking for some stability. I want to stay home.
The decision in my case to become a stay-at-home dad, which people do all the time, I guess wouldn't have meant as much to people if I had had a very simple kind of make-a-living existence and decided I needed to spend more time at home.
I lived a very, very Middle Eastern life until I was in my early 20s. It was very sheltered.
Our parents were very strict. Not in a brutal or awful way, but there were definite rules, such as after six on a school night you didn't go out, and at weekends you had to be home by a certain time. It wasn't particularly sheltered, but we were well brought-up.
Stay, stay at home, my heart and rest; Home-keeping hearts are the happiest, For those that wander they know not where Are full of trouble and full of care; To stay at home is best.
At the time I was writing the second album, I was sitting home in my underwear all day every day; I didn't have all that much to write about except for my own life and my family.
I want to try and portray characters that are in real life, that you see day-to-day. If I were to just stay in my little village in Wales, I would have gotten a very small taste of a very big plate.
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