A Quote by R. Lee Ermey

I got to write most of everything I said. — © R. Lee Ermey
I got to write most of everything I said.
I had been doing private readings for ten years when my guides said, "We want you to reach more people." Then I said "How?" They said, "You're going to write a book." And I said, "Oh, yeah sure, I'm going to write a book. No way." But I did an outline. And I got pushed by my development circle.
I write chronologically in my life, so whatever's going on, I write about it. Usually, that's when I feel the most cohesive body of work is formed. I got to live this crazy life, I got to write about it, and now I've got this record that I'm really proud of, too. It's not done, but when I put it out, it's gonna be good.
You've got to love libraries. You've got to love books. You've got to love poetry. You've got to love everything about literature. Then, you can pick the one thing you love most and write about it.
My poetry is the most disappointing thing for me that I've ever written. When I say I can write everything, I don't say I can write everything well.
When I got married for the third time, and I had children from my other marriage there, that's what I said when it came time in the ceremony for me to say something. I said, "I'm grateful to everybody that participated, everybody that participated in my life that got me to this moment. And everything was dead-right because everything is right now."
I hit Ali with everything and he said 'is that all you got' and I said 'yeah, that's pretty much it.'
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."
The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
I don't feel any ethical dilemma when I write. In my memoir, I was able to write with candor about the two most difficult people in the world to write with candor about - mom and dad. Everything else is downhill from there.
I would write 100 jokes a day. Most of them were terrible. But I just said, 'I'll write more than everybody else, and that's how I'll get better.'
My teachers always said, "You're very talented, but don't set your heart on art. You're only a girl." I was inspired by Virginia Woolf in 1960, but they wouldn't let me write about her. They said she was a trivializer. I also wanted to do a paper on Simone de Beauvoir, and my philosophy teacher said, "Why would you write about the mistress? Write about the master." That was Sartre.
Everyone said, 'Well, you're very old for a first novel,' and I said, 'How do you write when you haven't lived? How do you write when you have no experience? How do you write straight out of university?'
Everyone said, 'Well, you're very old for a first novel,' and I said, 'How do you write when you haven't lived? How do you write when you have no experience? How do you write straight out of university?
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