A Quote by R. Madhavan

There's no one beating Mr. Bachchan when it comes to acting. He is outstanding. He is a phenomenal actor and a thorough gentleman. His natural skills at acting just bowled me over, and I've become an even bigger fan of his after working with him.
Mr. Bachchan is too used to getting things done his way. I had always thought of him as an elegant, articulate, sophisticated, refined gentleman. What a let-down he was! What a shame!
Acting is reacting... there's a magic when you're working with another actor. With voice acting, you're doing it alone, all in your head. So, you have to re-create that essence by yourself. It's not necessarily more difficult. It's just a different set of skills.
I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.
Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.
I'm a theater actress and I thrive on working with other actors, and you can't be even a smidge bad, when you're acting with Charlie [Sheen]. He's just so natural, so present and so good that you have to step up to his level, or else.
I'm a bigger fan of my directing than in acting. Acting is just harder. You know, not harder, per se, because directing is the hardest thing I've ever had to do. But it's harder to enjoy my work as an actor, you know.
One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.
There was a four year old child whose next door neighbor was an elderly gentleman who had recently lost his wife. Upon seeing the man cry, the little boy went into the old gentleman's yard, climbed onto his lap, and just sat there. When his Mother asked what he had said to the neighbor, the little boy said, “Nothing, I just helped him cry.²” “Even after all this time the sun never says to the earth “You owe me” Look what happens with a love like that, It lights the whole sky..”
A man of knowledge lives by acting, not by thinking about acting... Thus a man of knowledge sweats and puffs and if one looks at him he is just like an ordinary man, except that the folly of his life is under his control.
I enjoyed working with Stephen Merchant. He was wonderful. I've been such a big fan of his acting.
I have been a fan of Yoo Ah In's for a long time. Every time I watched one of his films, I would think to myself, 'How does he act like that?' and greatly admired his acting abilities. I felt that I would be able to learn and improve a lot as an actor, just by observing.
Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.
There is no such thing as a good influence. Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtures are not real to him. His sins, if there are such thing as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.
I've told Kamal Haasan, Amitabh Bachchan, Naseeruddin Shah, Nana Patekar, I just want to touch you. They are the gods of acting. When people call me God, I say, no, I'm still an angel or saint of acting. I still have a long way to go.
After 'Njandukalude...' I had gone for an acting course in Mumbai as I felt the need to improve my acting skills.
The individual man, in introspecting the fact of his own consciousness, also discovers the primordial natural fact of his freedom: his freedom to choose, his freedom to use or not use his reason about any given subject. In short, the natural fact of his "free will." He also discovers the natural fact of his mind's command over his body and its actions: that is, of his natural ownership over his self.
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