A Quote by R. Madhavan
There is a time in every actor's life when he has to face the self-created hurdle after he starts getting bored of work and suddenly realises that he is left behind.
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Grief is like the wake behind a boat. It starts out as a huge wave that follows close behind you and is big enough to swamp and drown you if you suddenly stop moving forward. But if you do keep moving, the big wake will eventually dissipate. And after a long time, the waters of your life get calm again, and that is when the memories of those who have left begin to shine as bright and as enduring as the stars above.
I think it's an actor's responsibility to change every time. Not only for himself and the people he's working with, but for the audience. If you just go out and deliver the same dish every time... it's meat loaf again... you'd get bored. I'd get bored.
When I look around me, I see mostly women who are alone, left by their husbands after their kids grew up, for a younger woman, which is the most common thing, or suddenly abandoned after getting married and left with young children.
When I was growing up, I thought I was getting bored of acting, so I left that. Then after a few years, I started missing it. I left my studies mid-way, and I used to give lots of auditions.
Because makeup happens in my life as an actor, face wash is a key. I use La Mer cleansing gel every morning, every night, sometimes three times a day. Also, I use Bobbi Brown's Hydrating Face Tonic that you put on after you wash your face. It just rejuvenates your face. It takes away that morning face.
As an actor, you want to work every day of your life. You have to work hard, look and think positive, and the work just starts coming your way.
In modern life, we hide behind ourselves. In Shakespeare, there's nowhere left to hide. It's life, larger than life, and every actor has to raise their game to get there.
For me, every music video is a hurdle. Every time I do a music video, I'm constantly fighting to get my point across. As a gay woman, that's also a big hurdle.
I've played against Aguero a couple of times. He starts behind you so he's always offside, but you don't know where he is. You look behind to the right and he'll go to your left. He's so tough to find. You've got to learn and work out how to stop them.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
This question haunted me all my life and suddenly it hit me: 'There is no self to realize. What the hell have I been doing all this time?' You see, that hits you like lightning. Once that hits you, the whole mechanism of the body that is controlled by this thought is shattered. What is left is the tremendous living organism with an intelligence of its own. What you are left with is the pulse, the beat and the throb of life.
There comes a time in every man's life when he realises he will never be James Bond.
I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.
There are no steps to self-realization. There is nothing gradual about it. It happens suddenly and is irreversible. You rotate into a new dimension, seen from which the previous ones are mere abstractions. Just like on sunrise you see things as they are, so on self-realization you see everything as it is. The world of illusions is left behind.
There's a Mr. Hyde for every happy Jekyll face, a dark face on the other side of the mirror. The brain behind that face never heard of razors, prayers, or the logic of the universe. You turn the mirror sideways and see your face reflected with a sinister left-hand twist, half mad and half sane.
The terror of figuring out a new genre, of telling a new story, is what makes the job exciting, keeps me from getting bored, and I assume it keeps whoever follows my work from getting bored as well.
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