A Quote by R-Truth
All the things I talk about are true, but some of them I may tweak a little bit. A lot of it is the way I feel about wrestling. When you have a character like mine, you can push the envelope and go far with some of the issues.
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It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
There are a lot of little things about our bodies that we all know, but we never talk about. That's what interests me. These are practically universal experiences; nobody mentions them! Some of them are disgusting. Some of them are appallingly revolting and degrading even to the most degenerate mind. So let's get started with a couple of them.
I'm very aware that pro wrestling fans can be some of the most vocal and passionate and descriptive about how they feel when it comes to pro wrestling. So I'm totally fine with how fans talk about how they feel, cause if they're not allowed to voice how they feel, then what's the point of being a wrestling fan. You gotta know what you like and what you do't like and that's fine.
In my family there was no small talk, only talk about serious things like global politics - trying to interpret the distant political signs, looking desperately for some hope things would change. Religion was forbidden beginning in 1968, when I was born. So my communication with them was limited to issues of everyday life, which were issues of survival.
As a nation, there are many issues we don`t talk about, we just don`t talk about, push them under the rug. Poverty is one of those issues.
In general, I think there are some things that require time before you can talk about them. Some stuff that happened over the summer, for instance - the Philando Castile shooting, Alton Sterling, the police officers in Dallas - there was no room for jokes. But there are, of course, the policies that have given us those events. Now, there's a lot of room for jokes there. When you're looking at something difficult to talk about, there's always a sideways way in that feels a little less personal to people. That's where the joke lives.
There are conferences every year where all the major coaches get together, and they talk about the issues in wrestling, what's going to happen. There's a major governing body, U.S.A. Wrestling, which oversees a lot of the issues. The organization is there in wrestling to make a very well-balanced, organized system.
I wanted to talk about certain things in a way that I hadn't seen them talked about. There is vast literature about caring for people romantically, about caring for children, but there's not a lot about caring for older people, eldercare. I was searching for a book that would speak to me, that wouldn't be sociological, that would offer some insight, some solace.
When I was asked to manage some issues in Europe for the government, I didn't go to Parliament and just make a great speech and impress them. Instead, I will go down and discuss with those people about certain issues that we don't agree, and over a glass of wine we talk about it and they say 'okay, let's forget it.'
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
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