A Quote by R. W. Apple

A first hint of the power of the electronic media to bring disaster directly into living rooms came with the radio broadcast of the explosion of the zeppelin "Hindenburg," in 1937 . . .
I named my camel Katrina. She was a natural disaster. She slobbered everywhere and seemed to think the purple streak in my hair was some kind of exotic fruit. She was obsessed with trying to eat my head. I named Walt's camel Hindenburg. He was almost as large as a zeppelin and definitely as full of gas.
Going from three TV channels to broadcast TV to cable to talk radio; obviously the online explosion has changed things.
Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy.
The bosses of our mass media, press, radio, film and television, succeed in their aim of taking our minds off disaster. Thus, the distraction they offer demands the antidote of maximum concentration on disaster.
One thing that I can tell you that we have not done very well is to build in broadcast capability into the network, and we don't take advantage of broadcast radio.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
The Chicago Bulls’ Michael Jordan’s three-point explosion in Game 1 of the 1992 NBA Finals against Portland is easily one of the greatest performances I’ve ever seen. As he made his sixth straight, he winked directly at (broadcast partner) Mike (Fratello) and me and held his palms up in a shrug, as if to say, What can I do?
Our camels plodded along. Katrina tried to kiss, or possibly spit on Hindenburg, and Hindenburg farted in response. I found this a depressing commentary on boy-girl relationships.
People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.
I never thought electronic music would get as popular in America as it has. When I first came to Vegas in 2009 for my residency - we were they only people playing electronic music at that time.
It's clear the media, of course, always gives you the bad news. And people who rely on the media, like Mr. Trump, think that everything is a disaster. The media always tries to make everything into a disaster, but it's mostly rubbish. It's a point of fact that we're doing extremely well.
With social media, I can say to the people, 'Here's me live on video for an hour. The full thing, raw and uncut.' So it bring the message directly to the people. It bypasses intermediaries in the media.
The first choral music I remember hearing was Handel's 'Messiah' when the Mormon Tabernacle Choir broadcast it over the radio.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
Back in the 1950s, America set out to intervene in Syria, liberate the people from a corrupt elite, and bring about a new democracy. They did this with the best of intentions, but it led to disaster. And out of that disaster, the Assad regime rose to power.
One survey that I saw that was published I think in Variety or Electronic Media within the last three weeks says that now the average hour of radio in the United States has 18 minutes of commercials.
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