A Quote by Raashi Khanna
I really want to do roles that have some substance, and I hope writers give us that importance. I can't alone stand up and demand roles like that. It's a collective thing. Writers have to believe in heroines and understand that there's more to a woman than just her curves. It's not that they can't do it. They just choose not to.
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If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
In America, I am brown; I'm 'of colour', so I would be offered Latin roles, and I've fought against that. I don't want to be put in a category, to be just offered the same sort of thing. For me, it's all about different roles, telling the stories of the great writers.
Why are you uncomfortable with the supernaturalist worldview of the biblical writers? Evangelicals don't want to just say, "Well, the inspired writers were wrong about some of their beliefs about the spiritual world and its inhabitants." That really doesn't work in a confessional situation! So instead we come up with excuses and interpretations that allow us to remake the biblical writers in our own post-Enlightenment image. I understand that impulse, but it's not honest.
I change myself a lot. Some roles you don't want to be big, bulky, muscle-y guy and some roles you want to be a lean, marathon-runner physical type. And some roles you just don't want to be in shape.
I think there are a lot more writers who are actors than you know; they just don't have roles on famous TV shows that you recognize.
I hope to get roles that are not just glamorous, but also have some substance.
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
I always ask young writers, 'Are you certain you want to be a writer? If you're absolutely sure, then do it.' If you really want to write, writing has to take precedence over everything else, except for taking care of your loved ones. It has to be more important than any possession, more important than fame. We hear about just a few writers who get famous, but most of them don't. It's got to mean more than that.
I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.
Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.
You know, actors say, 'There are no bad roles, there are only bad actors.' Well, comedians, because they're also writers, believe that there are in fact bad roles.
I don't believe a role can be written keeping in mind some actor. Even if such roles exist, I don't pick them because I generally choose roles that I think will suit my image.
In most of my stories, I give a lot of importance to heroines. My heroines are not just glamour dolls.
For the social ecologist language is not "communication." It is not just "message." It is substance. It is the cement that holds humanity together. It creates community and communication. ...Social ecologists need not be "great" writers; but they have to be respectful writers, caring writers.
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