A Quote by Raashi Khanna

I was really looking forward to the release of 'Villain.' I put in a lot of hard work, and I am glad people are noticing basic things - like how I synced perfectly with the Malayalam dialogues or that I came across as a Malayalam girl - makes me feel wonderful.
My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
My place is cemented in Malayalam films. Malayalam is not my language and it felt alien to me. But for them, I am someone from Karnataka who could deliver.
Coming from the Malayalam sets, when I went to Telugu, people told me that I wasn't acting and that it felt dead. It was very subtle in Malayalam, while it is slightly dramatic in Telugu. It is quite fascinating to understand what each industry expects of you and work according to that.
In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for 'Velaikkaran,' I had to prepare for a role, which is a first for me.
I am glad to be a part of a Malayalam film.
Malayalam industry is pretty awesome, and I will definitely do a movie in Malayalam. There are some great directors over there.
The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.
When I emerged as a hero, there were times I had continuous hits in Malayalam. I also tasted success as a supporting actor in other languages. But there was a collective effort from a group in the Malayalam film industry to flush me out, which affected my career.
I have an impeccable memory, and I can learn dialogues in any language in 20 minutes, including Telugu and Malayalam.
I am not familiar with Telugu, Tamil or Malayalam and tend to feel they are foreign languages to me.
I see a lot of similarity between Bengali and Malayalam films regarding the basic emotions, the craftsmanship, art and performance. I also feel both the industries are very true to their art and culture.
It will be wonderful to get into the Indian dressing room as the coach. I am really looking forward to the challenge and the huge responsibility. I know there will be a lot of expectations and that is something which I am looking forward to.
You'd think that it was really hard for me to turn into North Carolina prostitute, but I didn't think of her like that. I just thought there were a lot of similarities. She loves art and she loves beautiful things, and in that regard, she's a girl, I'm a girl. We love beautiful things, we want adventure, we just want to be loved. She just really wants a family and to be safe. I think everyone wants that. I just came from it from that point of view rather than, "Oh, this girl is so different from me. How on Earth am I going to play her?"
I have never behaved like a star kid, and since a lot of people in the Tamil and Malayalam film industries know my parents, they treat me like their own child.
Our films appear to have become realistic once again. 'Thondimuthalum Driskakshiyum' is a fine example. I am glad that I could also contribute to this phase of Malayalam cinema with 'Shutter.'
I am really looking for a chance to direct. I feel like that's kind of the next frontier for me. I know that it's really hard to do, but I feel like I want to have a chance to try and translate something I've written and try and get a tone across.
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