When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like 'Madea', and 'Night, Mother', and 'Sam Shepard', and all that kind of stuff. That's what I really wanted to do.
When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like Madea, and Night, Mother, and Sam Shepard, and all that kind of stuff. Thats what I really wanted to do.
I never pictured myself in California. I just thought I would be a character actress in New York on the stage. I never really had that stardom goal; I just wanted to be able to work as an actress and not as a waitress.
Sam Shepard is - I didn't tell this to Sammy, but if I had to point to one artist that made me want to do this for my life, it's Sam Shepard.
I wanted to be a stage actress. I wanted to be a New York actress and have a community with other actors. I didn't want to get famous; I always thought getting famous was a drag on you.
My father went to college for drama in Pittsburgh, and so did my mother, and then my mother was a steadily working New York theater actress. They kind of quit when I was born. They did that for, like, 10 years before they had kids and then I was born and they were not into that lifestyle for kids.
The strategic objective of New Shepard is to practice, and a lot of the subcomponents of New Shepard actually get directly reused on the second stage of New Glenn.
I ended up going to college for visual arts but moved up to New York after I graduated from college in 2006 and started going gung ho to the Upright Citizens Brigade, and I realized that that was what I was really interested in and what I really wanted to do.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
I never did any sports at school. It wasn't until I moved to America, to New York, when I was about 20 that I actually thought that if I wanted to be an actress I might have to start working out.
When I moved to New York, I wanted to be in the ensemble of 'Hairspray.' That was my goal.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
I sang a lot in college - I was in a choral group in college. But, then, when I moved to New York, I really just concentrated on acting.
My mother had been an actress and we came from that world in New York, the theater world and the downtown sort of theater scene, and so I guess we didn't really have what you'd call like a Hollywood kind of life at all.
My mother always wanted to be an actress. She was an extra in movies and stuff. I have a feeling this is the classic story: The mother wants to be an actress, and the child ends up doing it. But it was never a jealousy thing between us. It was like - well, I was making my mom happy.