A Quote by Rachael Leigh Cook

You wouldn't recognize me from one project to the next. — © Rachael Leigh Cook
You wouldn't recognize me from one project to the next.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Before 'Deadpool,' if I was walking on the street, some people would recognize for some project, and another person for a different project. But now, every time I'm walking down the street, people recognize me as the actor from 'Deadpool.'
I have no idea what the next project will be and if there's a next project. I don't even know if we're all going to be here tomorrow, but I'm pretty optimistic.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
My students frequently ask what their next project should be. My advice: immerse yourself in the music you love and you will find what you want to do; you will discover your next project.
I don't recognize hate, I don't recognize bitterness, I don't recognize jealousy, I don't recognize greed. I don't give them power. They don't exist to me.
I remember I was flying home to Los Angeles one day. I was talking to the woman next to me and the flight attendant tried to tell me I was sitting next to somebody that I should know. I didn't recognize her but it ended up being Beyonce's sister, Solange Knowles.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
I don't think it ever occurred to me that I wouldn't be an entrepreneur. My dad became a real estate developer, and that work is usually project-based. You attract investors for a project with a certain life cycle, and then you move on to the next thing. It's almost like being a serial entrepreneur, so I had that as an example.
To see, to hear, means nothing. To recognize (or not to recognize) means everything. Between what I do recognize and what I do not recognize there stands myself. And what I do not recognize I shall continue not to recognize.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
Success on one project does not necessarily mean success in the next project. You've got to be prepared in everything you do.
I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.
Whatever it was that I felt was the weak link in my previous project gave me inspiration for the next one.
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