A Quote by Rachael Price

I feel like Havana has always been such an amazing, cosmopolitan city that it makes sense that a lot of galleries will want to be present. — © Rachael Price
I feel like Havana has always been such an amazing, cosmopolitan city that it makes sense that a lot of galleries will want to be present.
There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.
I was told before my first trip that no city in the world offered the dreams you could have sleeping in Havana. But nobody warned me that Havana also always feels like an exhausting nightmare that never quite fulfills the promise of what it's threatening you with.
I always have a very good relationship with galleries, a lot of galleries and artists, so I don't want any conflict situations.
There are many people of cosmopolitan temperament who are not from the elites of their societies or the world; and while, for a variety of reasons, I think a cosmopolitan spirit does naturally go with city life, that's the life of a very large proportion of human beings today. And I don't think rural people can't be cosmopolitan, in my sense.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
Milan, for me, is a city of discovery. You can find some amazing gardens behind some great houses; I also love finding beautiful galleries and incredible shops, but you have to explore. And the food is amazing.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
I always had this notion of a noir novel in Galway. The city is exploding, emigration has reversed, and we are fast becoming a cosmopolitan city.
My thing I always go back to is that sense of finishing 'Castlevania: Symphony of the Night,' and that castle flipping over, and just going, 'Oh my God, that was amazing! I have so much more to play!' It was astounding. I think I've always been chasing that. I think my entire career, I have been like, 'I want that kind of epiphany.'
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
It makes me feel like a woman. It makes me feel that all the things about my body are suddenly there for a reason. It makes you feel round and supple, and to have a little life inside you is amazing.
I remember being in the States a few years ago, and when I said I was from Toronto, it doesn't really make a difference. Now you say you're from Toronto, and people want to talk to you a little longer. Drake's putting on and bringing a lot of eyes to the city, but I feel like the seed and the flowers have always been here.
When people see my images, a lot of times they will say, 'Oh my God.' Have you ever wondered what that meant? The 'oh' means it caught your attention, it makes you present, it makes you mindful. The 'my' means it connects with something deep inside your soul, it creates a gateway for your inner voice to rise up and be heard. And God, 'God' is that personal journey we all want to be on, to be inspired, to feel like we are connected to a universe that celebrates life.
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