A Quote by Rachael Stirling
I fell upon Jenny Saville's work and loved these great big pieces she was painting, celebrating all things flesh and woman, and with great big Simone Beauvoir quotations written in mirror writing so you had to look at yourself in the pictures to read them.
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One of the great weaknesses of the progressive, as distinct from the religious, mind, is that it has no awareness of truth as such; only of truth in terms of enlightened expediency. The contrast is well exemplified in two exact contemporaries - Simone Weil and Simone de Beauvoir; both highly intelligent and earnestly disposed. In all the fearful moral dilemmas of our time, Simone Weil never once went astray, whereas Simone de Beauvoir, with I am sure the best of intentions, has found herself aligned with apologists for some of the most monstrous barbarities and falsehoods of history.
I am not a great French woman. George Sand, Marguerite Duras and Simone de Beauvoir are great French women.
But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character. She'd swoop into our lives with presents and boxes, and she always smelled great and looked great.
I don't think that French women are less feminist. If you look at Simone de Beauvoir, she was French and she wrote one of the founding texts of feminism.
It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I am done with great things and big things, great institutions and big success, and I am for those tiny, invisible molecular moral forces that work from individual to individual, creeping through the crannies of the world like so many rootlets, or like the capillary oozing of water, yet which if you give them time, will rend the hardest monuments of man's pride.
My biggest role models are not chefs, but women like Coco Chanel, Simone de Beauvoir, Nina Simone.
My mother was a courageous woman, and she had such tremendous love for life. She loved the natural world. She would wake us up in the middle of the night to go look at the moon. When I was a teenager, this was a source of great frustration because I wanted to sleep.
There was a French activist and writer, Simone de Beauvoir, who said, 'You are not born woman. You become one' ... Words I live by.
I look up to a strong woman; maybe that's why I fell for Gaga. She works incredibly hard and is very strong and inspirational like Mom, with a great work ethic.
There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.'
We now think of internal representation as great big vectors, and we do not think of logic as the paradigm for how to get things to work. We just think you can have these great big neural nets that learn, and so, instead of programming, you are just going to get them to learn everything.
Jenny Simpson loses her shoe in the women's fifteen hundred, with a lap and a half to go, destroying her chances to repeat as world champion, and she gives the most gracious interview afterward about how she's had a wonderful career already. Great for Jenny Simpson. Bad for the sport! We need drama!
Sometimes, you write things that sound really great when you're at home but don't work when you shine the light of an audience on them. Great writing and live writing are two separate things.
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