A Quote by Rachael Taylor

Often, as a young actress, you find yourself being the only girl in a room full of men... and one of the reasons why I like 'Grey's Anatomy' is because they have such strong female characters and the women really drive this show.
next to it was a dvd called 'as i get laid dying,' which had a hospital scene on the front. it was like grey's anatomy, only with less grey and more anatomy.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
I find it's bizarre that science fiction is the one branch of television to push the idea of strong female characters. And I only call it bizarre because strong women aren't fiction.
I was really serious about being an actress. I was playing young female characters and not feeling very connected to them.
You look at Kerry Washington on 'Scandal,' and a lot of the women on that show in general are very strong, and I think we're seeing it more, and I'm excited because when I was doing Dana Gordon on 'Entourage,' there weren't a lot of strong female characters, which is why I think she came out as such a standout character.
I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.
There aren't enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the 'poor heartbroken girl.'
Any girl who has flown at all grows used to the prejudice of most men pilots who will trot out any number of reasons why women can't possibly be good pilots. . . . The only way to show the disbelievers, the snickering hangar pilots, is to show them.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.
I prefer to avoid the phrase 'strong women' when talking about female characters and the lack thereof or the need therefore, because it's not about being strong, it's also about being vulnerable, funny etc.
I would tell any actress that the trick is to play all the female characters on your show, and then all the men are yours.
We have people say, 'There's not enough women writers.' I have a writers room that is almost nothing but women over at 'Grey's Anatomy.'
I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.
Like a lot of young women, I went through an entire period where I hated female characters - I didn't want to read about them! I thought I was going to be the cool girl who was not like other girls.
The female characters in 'Peep Show' are not 'strong': they are idiots. As idiotic as the men.
This site uses cookies to ensure you get the best experience. More info...
Got it!