A Quote by Rachel Bilson

I know of my sex appeal. I know about sexuality, and I know how to use it - tastefully, of course. — © Rachel Bilson
I know of my sex appeal. I know about sexuality, and I know how to use it - tastefully, of course.
I don't know what sex appeal is. I don't think you can have sex appeal knowingly. The people who seduce me personally are the people who seem not to know they're seductive, and not to know they have sex appeal.
People always go on about how fantastic relationships are in the beginning, and of course everyone hates relationships when they end, but what about the middles? the middles where you know everything there is to know. Where you can look at the person you love and know what they're thinking, see something on the telly and know how they'd react;When you know exactly what they'd wear to come round and see you.
I really wanna make hip-hop music, but I don't know how to use any of the tools. Electronic, computer skills, I don't have those for engineering or making beats. I don't know how to use a sampler well. I don't know how to use any of these things.
I have really strong feelings about sex scenes in movies. I care a lot about sexuality and how it's depicted in mainstream media, period, but what I know is movies, and what I find is that they tend to be kind of one-note.
I’m not comfortable with the idea of my sex appeal, but I know in my job I have to use it. I wish I could say I got to this point in my career based on my talent, but I don’t think that’s true.
I know I have sex appeal, but I've never felt like an actual sex symbol. Fans sometimes think I am. The majority of them are sweet about it, but occasionally somebody weird becomes totally fixated upon me.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
Real artists find answers. The knowledge of the artisan is within the confines of his skills. For example, I know a lot about lenses, about the editing room. I know what the different buttons on the camera are for. I know more or less how to use a microphone. I know all that, but that's not real knowledge. Real knowledge is knowing how to live, why we live, things like that.
I've got the knowledge and experience to know what's going on in the cage or the ring. And I know how to entertain an audience and how to use the microphone. I know my market.
Knowledge rooted in experience shapes what we value and as a consequence how we know what we know as well as how we use what we know.
If you know how to read, you have a complete education about life, then you know how to vote within a democracy. But if you don't know how to read, you don't know how to decide. That's the great thing about our country - we're a democracy of readers, and we should keep it that way.
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
I know a lot about writing, but I don't know much about how other industries work. I've tried to use my naivety to my advantage.
I know every part of their lives. I know about their animals; if they've got a dog, I know its name. My players love their dogs. I know about their partners; I know if they go to the cinema - it's the detail you need to be successful. If they have an ice cream, I know about it.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
When you start talking about the known knowns and the unknown unknowns, you're thrown into a crazy meta-level discussion. Do I know what I know, do I know what I don't know, do I know what I don't know I don't know. It becomes a strange, Lewis Carroll - like nursery rhyme.
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