When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.
I am sort of proud that I think radio has become a dominant influence in shaping public opinion. Good radio paints the picture for the audience. The audience has to be actively involved. Sometimes, in television, you can get lulled into sleep watching the picture, not listening to what you're hearing.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
White... is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black... God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.
Every picture one paints involves not painting others.
Every picture paints a thousand words and that one said 'goodbye'
For me, there has never been one definition of beauty. I think we all have something to offer and when beauty shines from within, there can be no denying it
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
It took a long while for me to know that I'm beautiful. I remember going through this phase when I was younger of wanting to pass by mirrors and not look at them. That was so ridiculous. I've learned now that beauty starts from within.
I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.
As ridiculous as I think the fashion and beauty industry is, I'm wildly obsessed with it.
I think we had an incredible opportunity to capitalize on that right up to Libya. I think we've made a step toward something that might be a mistake. I personally believe Saddam Hussein and Ghadafi are not good guys by any judgement, and there are ways to deal with it beyond what we did. Once you decide to attack, it paints an ill-conceived picture.
Within comedy, macabre is the root, and a lot of art - Goya, Bosch, Dali - is macabre. Even Van Gogh, if he paints a chair, there's an element of the macabre within it.
I think I just really understand what it is to feel like you don't fit in, within your society, within your world, within your family, within whatever. I've always felt like an odd duck so I really understood that.
Every now and then one paints a picture that seems to have opened a door and serves as a stepping stone to other things.
It does not matter whether one paints a picture, writes a poem, or carves a statue - simplicity is the mark of a master-hand.