A Quote by Rachel Bloom
Jokes that are gratuitously offensive are synonymous with bad writing to me. I'm offended as a writer first and as a person second.
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If you are offended by reading views that disagree with yours, then yes, you will be offended. However, it is not gratuitously offensive, it simply puts an argument, and if your views are strong enough, as I believe they are, you will be able to defend your views. You will not say, "Oh, it's offensive, it's offensive." You will say "No, you are wrong here and you are wrong here," and that's what you should do.
Jokes are great capsules of information. I think they should never be censored. They often are offensive - and we're offended by different things - but I believe deeply in what Freud wrote of their relationship to the unconscious, which is that jokes come to help us. We laugh so as to dispense with, or to express, some ambivalence or discomfort with the things around us. That's what laughing is: a release.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
You can't be a good person when you're writing and a bad person to your husband or a bad friend. You can't be a jerk in order to be a good writer. You can't say, "I'm too busy writing to be political." You are one person. You are the same person in every aspect of your life, and you have to be a responsible person in every aspect of your life.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
I always thought it was important to overdeliver, and when I got one of my first jobs, writing jokes for Garry Shandling when he was hosting the Grammys, I stayed up all night and wrote a hundred jokes, and I thought, "I'm always going to be the person that gives them more than they requested, and that's why they'll want to keep me around."
The hardest part of comedy is writing the jokes, and the second-hardest part is telling the jokes. To me, everything else is significantly easier.
I've only suffered writer's block badly once, and that was during the writing of Chamber of Secrets. I had my first burst of publicity about the first book and it paralysed me. I was scared the second book wouldn't measure up, but I got through it!
In the order I was in, each brother takes five vows, one of which is teaching the poor gratuitously. As a young person I was seized by this idea of social justice and I wanted very much to follow my vow of teaching the poor gratuitously.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
To make 'depression' synonymous with 'dangerous' is as bad as saying 'Muslim' is synonymous with 'terrorist.'
To all the women that I've offended, I had no intention to be offensive, to violate any physical or emotional space. I was trying to establish personal relationships, but the combination of awkwardness and hubris led to behavior that I think many found offensive.
The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.
I did my first set at a talent show, and I couldn't finish because the judges didn't like my jokes. They were 'offensive.'
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
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