A Quote by Rachel Bloom
I like deconstructing things. I like cutting the legs out from under something that feels secret.
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There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"
Only then did I see. Something was amiss with Patrick's snap-on one piece, or "onesie" as we manly dads like to call it. His chubby thighs, I now realized, were squeezed into the armholes, which were so tight they must have been cutting off his circulation. The collared neck hung between his legs like an udder. Up top, Patrick's head stuck out through the unsnapped crotch, and his arms were lost somewhere in the billowing pant legs. It was quite a look.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."
I got things like the lotus position long before anybody else did, or at least in the mainstream. But I had fun. I guess my legs are pretty flexible, so I used to get a kick out of doing things like that. I would get into a full lotus with my legs and then roll around.
It's a guilty secret of a lot of writers, as you get older you don't read as much fiction as you used to, mainly because it's like you are deconstructing it all the time.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
"I was just like a pathological liar when I was a kid. I think I just wanted to one-up somebody. Somebody would be like, 'Oh, God, my legs hurt.' I'd be like, 'Your legs hurt? I'm getting mine amputated next week.' And that's actually how my mother found out. She came to school and somebody was like, 'God, that's such a shame about Jennifer's legs.' She made me purge. I had to spill out all of my lies. I was like, 'I said that Dad drove a barge, and we were millionaires, and you were pregnant, I had to get my legs amputated, and I spayed cats and dogs on the weekends.' Now I can't lie.
I like something with a really great storyline, characters, and concept. I like doing things that are new and cutting edge.
It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.
I think one of the things I enjoy about acting is the transformation, and part of that is certainly the physical transformation. If people are confused forever, wondering where they have seen me before, that feels like exactly where I want to live. It feels like something's working.
Cutting my hair, I feel like I'm going to another level. Cutting my hair was a step for me. Anybody that has had hair for so long, when you're used to something, it's like reforming your life.
I can always make things longer than I intend for them to be, but cutting things down is just brutal. It's like cutting off your fingers every time you lose a word.
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