A Quote by Rachel Bloom

I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics. — © Rachel Bloom
I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.
If you love a flower that lives on a star, it is sweet to look at the sky at night. All the stars are a-bloom with flowers.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
Music is like the genius of humankind, universal... People who have never really taken the time to get into music, their lives are a lot smaller. Kids deserve the richness and dimension of it in their lives.
People hit the sauce in a big way all winter. Amidst blizzards they wrestle unsuccessfully with the dark comedy of their lives, laughter trapped in their frigid gizzards. Meanwhile, the mercury just plummets, like a migrating duck blasted out of the sky by some hunter in a cap with fur earflaps.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
The witnessing soul is like the sky. The birds fly in the sky but they don't leave any footprints....[The] man who is awakened lives in such a way that he leaves no footprints.... He never looks ahead, he never looks back, he lives in the moment.
So I can go and let out everything that I feel about every bogus weekly cover, every single bogus skit, every single rumor and barber shop-everything that people feel is ok to treat celebrities like zoo animals, or act like what they're saying is not serious, or their lives are not serious or their dreams are not serious.
I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.
I feel like with 'Chuck,' because it was a comedy-based show, it was more cartoon-ish. It was just more playful. We had a lot more fun with it. There was a lot of silliness in there. There were serious moments, as well, and there was a lot of heart in that show, but its baseline was comedy.
I think a lot of people in their lives feel like they don't fit in, even if it looks like they do. People feel like outsiders even if others think we, the lives we live, have everything. If they are popular or they have everything they are supposed to have. Even then, people still don't feel quite included.
Fundamentally, if people don't feel like their lives are valued and they don't value their lives, they're not going to value their neighbors' lives.
We're in a crisis. We're in a crisis like I don't think America has ever known in my lifetime. But we have to keep joy in our lives, love in our lives, poetry in our lives, dancing in our lives.
I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.
Children learn what they live. If a child lives with criticism... he learns to condemn. If he lives with hostility... he learns to fight. If he lives with ridicule... he learns to be shy. If he lives with shame... he learns to be guilty. If he lives with tolerance... he learns confidence. If he lives with praise... he learns to appreciate. If he lives with fairness... he learns about justice
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
I work in a dramatic context, meaning we write with a lot of character specifics, a lot of story specifics. There's a lot of architecture in our songs.
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