A Quote by Rachel Caine

Look, I hate good-byes, too. But sometimes, we need them just to survive. — © Rachel Caine
Look, I hate good-byes, too. But sometimes, we need them just to survive.
Why can't we get all the people together in the world that we really like and then just stay together? I guess that wouldn't work. Someone would leave. Someone always leaves. Then we would have to say good-bye. I hate good-byes. I know what I need. I need more hellos.
I don't know what of our culture is going to survive, or if we survive. If you look at the Greek plays, they're really good. And there's just a handful of them. Well, how good would they be if there were 2,500 of them? But that's the future looking back at us. Anything you can think of, there's going to be millions of them. Just the sheer number of things will devalue them. I don't care whether it's art, literature, poetry or drama, whatever. The sheer volume of it will wash it out. I mean, if you had thousands of Greek plays to read, would they be that good? I don't think so.
When you look in the mirror and hate what you see, you need addictions to survive.
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
Sometimes fashion designers will be like, 'This is what's hot right now, and you will be cool if you wear this,' but sometimes it's too expensive or doesn't look good on me or isn't who I am, and I don't need to just think that what you're saying is what's cool if I have my own identity.
If the lecture is good, then everything is too smooth. That's the same in music: if the performance is too good, you really don't enjoy it, because it just goes by, and you can never penetrate into the heart of it. Sometimes a poor performance is better for enjoyment, because you can look at those things that were wrong and analyze them.
I can't take it anymore. The waiting. The wanting. Something inside me snaps. I hate myself. I hate that I have to deal with this. I hate my life. And I hate how I can't count on anyone to be completely there when I need them, exactly the way I need them to be.
We are snared into doing things for which we get called names, and things for which we get hanged, and yet the spirit may well survive - survive the condemnations, survive the halter, by Jove! And there are things - they look small enough sometimes too - by which some of us are totally and completely undone.
Sometimes you change to survive, and some things you don't give up, or you're too prideful, and then you think well, what's pride? Is it a good thing? Maybe it's a bad thing. That's what I look at in my life. It's always a question in my life I look at, and I never find the answer, because if I did, probably I wouldn't have books to write.
If your girlfriend is saying, 'Ugh, look at my stretch marks, look at my rolls,' don't say, 'Yeah, I hate my thighs, too.' Say, 'No, you look really cute today - and I feel good, too!'
Good clothes are good clothes, and they don't need whales and tricks and too many jokes. Sometimes you just need something to wear.
Sometimes you need to encourage them sometimes even to comfort them, let them know I trust them. Sometimes you need to tell the truth, being more aggressive. That's management. I need to put the players in the best possible conditions.
if you hated white people, they would just hate you back, and nothing would change in the world; and if you didn't hate them after the way they treated you, you would end up hating yourself, and nothing would change that way, either. So it was no good to hate them, and it was no good not to hate them. So nothing changed.
Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.
For the theatrical experience to survive, spectacle films need to expand their definition of what they can be. They need to be unique and true voices of the filmmakers behind them. They can't just be copying what came before them.
In genre movies, you usually not only hate the characters, you sometimes hate them so much that you hate the actors playing them.
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