A Quote by Rachel Caine
I use all kinds of resources for researching my novels. I'm not shy about calling up experts and asking questions, or emailing, or buying textbooks and references. The Internet is always a brilliant way to find instant facts, but it's not a great way to really understand your subjects in depth without a lot of work.
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We should be using our brilliant people, our most brilliant minds to figure a way that ISIS cannot use the Internet. And then on second, we should be able to penetrate the Internet and find out exactly where ISIS is and everything about ISIS. And we can do that if we use our good people.
I am more interested in asking questions about the edges of things and thoughts. So the objects I use are not initially the subjects of the work; they are its ground.
You're not a Black man. You're a human being in God's eyes. So when you sit down to talk to someone and you talk to them in really intelligent terms, you ask difficult questions, there's a militancy that's assigned to you without you asking for it, because you are simply judged by what you look like. If you're a white person asking the same questions, you'd be one of these CNN guys and say how brilliant he is. That doesn't work for you, because this is the world we live in.
I feel very strongly that where the facts exist, a historical novelist should use them if they're writing about a person who really lived, because a lot of people come to history through historical novels. I did. And a lot of people want their history that way.
The point of asking questions is to find true answers; the point of measuring is to measure accurately; the point of making maps is to find your way to your destination... In short, the goal of truth goes without saying, in every human culture.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.
I've always had questions about how things work and why it was that way. From all kinds of perspectives, from the physical to the spiritual.
When I was researching my very first novel, "The Basic Eight," I was calling right-wing political and religious organizations and asking them to mail me their material so that I could mock them in my novels.
I was always a great believer in starting at the top. I really think that focusing on a career and working your way up is way way way overestimated.
In general, questions are fine; you can always seize upon the parts of them that interest you and concentrate on answering those. And one has to remember when answering questions that asking questions isn't easy either, and for someone who's quite shy to stand up in an audience to speak takes some courage.
I really love picking up subjects where people say, 'How is this going to work?' and trying to find a way to make it work because every story needs to be told.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
A lot of people try to use sarcasm to flirt, and it tends not to read well. Most people who are successful at flirting do so via instant message instead of email. The best way to flirt is to care deeply about whatever your date is saying and to focus all of your attention on him or her. Ask thoughtful questions. Take a keen interest in the conversation. Be enthusiastic.
Well, when you look at a lot of science fiction novels they're asking questions about power. There are questions about what it means to have power and what are the long-term consequences of power.
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