A Quote by Rachel Caine

I love arguing with you, Claire. You always surprise me. And occasionally, you even make sense. — © Rachel Caine
I love arguing with you, Claire. You always surprise me. And occasionally, you even make sense.
Shane talking to Claire - "In this whole screwed up town, you're the only thing that's always been right to me," He whispered. "I love you, Claire
Always get to the set or the location early, so that you can be all alone and draw your inspiration for the blocking and the setups in private and quiet. In one sense, it's about protecting yourself; in another sense, it's about always being open to surprise, even from the set, because there may be some detail that you hadn't noticed. I think this is crucial. There are many pictures that seem good in so many ways except one: They lack a sense of surprise, they've never left the page.
Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).
Maybe I don't like people as much as the rest of the world seems to...But occasionally, people will pleasantly surprise me and I'll fall in love with them, so go figure.
In sectors like energy, I haven't been arguing for more spending per se; I've been arguing that it doesn't make sense for us to spend $4 billion subsidizing an oil industry that's mature and very profitable. We should be using that money to finance clean energy of the future.
Something that's very important is to preserve the sense of surprise, the sense of discovery. The eye of the person you are talking to, your shadow on the ground. It's important not to get suffocated by all the things in life and lose that sense of surprise.
I make music and hope people enjoy it - but when they do it's always a surprise. A nice surprise, but not one that I expect to always be there.
CLAIRE:your washing right? shane:i'll pay you for it. claire:what? shane:best high score wins claire:no bet 'wash, dish boy
They say that our sense of smell is one of the strongest triggers of memories. Of course, our sense of smell is integral to our sense of taste, so it is no surprise, then, that in a life full of moving and traveling, food has always been a source of familiar comfort for me.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
Men are handicapped when it comes to arguing, 'cause we have a need to make sense.
It's that stubborn fixation on details that has invariably prevented me from getting excited about celebrating each passing year. Which is why my friends know that doing things such as throwing me surprise parties would only serve to surprise me with an overwhelming sense of panic and anxiety.
In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life.
The haters and the trolls have always used me as an excuse to make fun of something that is out of the ordinary, something that doesn't necessarily make sense to them. For whatever reason, I have always been a target that people love to attack.
I usually start with an ending, then outline high points of things that happen, and kind of make up the rest as I go along. Occasionally, the characters surprise me, and I wonder how we got here. Other times, the characters are stubborn and won't do something I want them to in the story.
Shane talking to Claire - "Hang on - Slow down. I'm not going anywhere. You know that, right? You don't have to put out to keep me here. Well, as long as you eventually..." "Shut up" Claire said.
This site uses cookies to ensure you get the best experience. More info...
Got it!