A Quote by Rachel Caine

I wrestled futilely, then relaxed as a vine wrapped three times around my throat and squeezed. Right," I choked out, and shut my eyes. "I'll wait here, then. — © Rachel Caine
I wrestled futilely, then relaxed as a vine wrapped three times around my throat and squeezed. Right," I choked out, and shut my eyes. "I'll wait here, then.
There's a burden of responsibility for me to show up correct - in my head, if I don't do it right, then I'll get shut out, and then other trans women of color will be shut out.
But there was still something missing. Something that nagged at her-an emptiness she couldn't explain. There were mornings she woke with her heart pounding wildly and the sensation of arms wrapped around her. But the feeling slipped away the moment she opened her eyes, and no matter how quickly she squeezed them shut, she couldn't recapture the contentment she'd felt.
The thing I hated about it was that you live in your trailer all the time and then they call you and you do maybe two dozen lines. Then they do that for three hours and you wait and wait and wait, and I don't like waiting.
Something came out from my heart into my throat and then into my eyes.
I work in the same style as classic landscape photographers. You find the right perspective, and then you wait until the light is right. I do the same. I find the right location, and then I wait for the sound, the atmosphere to be right, and for the space to be revealed.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
What? You can't knit in the dark? Stuff and nonsense; anybody can. Shut your eyes. Knit one stitch. Open your eyes and look at the stitch; it's all right. Shut your eyes and knit two stitches. Open them. Shut them. Knit three stitches. Falling off a log is no comparison.
I love you." Z squeezed his eyes shut. "Don't be a tragedy, Bella.
I think if you're going on thinking oh, I can do this with my eyes shut, then it's probably not the right thing to be doing, you know.
Well. Like I said, I dont want to fight anymore. I dont want us to hate each other. And ... well ... I squeezed my eyes shut and then opened them. No matter how I fee about us ... I want you to be happy
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
If I cannot hear "The sound of rain' long before the rain falls, and then go out to some hilltop of the Spirit, as near to my God as I can and have faith to wait there with my face between my knees, though six times or sixty times I am told "There is nothing', till at last there arises a little cloud out of the sea, then I know nothing of Calvary love.
That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened the next tress About her neck; her cheek once more Blushed bright beneath my burning kiss . . .
I'm used to a very busy schedule. Right now it revolves around training and preparing for Nationals in January. I'm usually at the rink from 9 a.m. - 1 p.m. and then I attend public school for two hours, three times per week.
There are bits at the table read that destroy, so much so that we can't wait to do it in taping. And then, no reaction. And then there are times when I can't get the right read on a line in rehearsal, and then the audience howls at it. The strange thing is I still don't know why it happens like that. It's not like afterwards I think, 'Now I know why that worked!'
We all watched Al open the door. Turning, he waved to us, then passed the threshold. The door shut behind him. I waited for something to happen. Nothing did. “This isn’t good,” Quen said. I choked back my burst of laughter, knowing it would come out sounding hysterical.
This site uses cookies to ensure you get the best experience. More info...
Got it!