A Quote by Rachel Campos-Duffy
Progressives control America's schools and text book industry and they dishonestly leave the ugliest parts of the collectivist story out.
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The inspiration is all in the script, in the text. So whatever it is, either it is a film or a book to be illustrated, anything. Everything you need to know is in the text. So the thing is trying to find right tone and voice, the right style, the right way of expressing the emotions in a story or in the location of the story, but it is all in the text.
I walk to Oxford Street and climb on the number 8. It's freezing and it starts to rain and it's the ugliest bus I've ever seen, rattling down the ugliest streets, in the ugliest city, in the ugliest country, in the ugliest of all possible worlds.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
In America the schools have become too permissive, the kids now are controlling the schools, the tail is wagging the dog. We've got to make a change there and get it back to where the teachers have control of the classrooms.
The music industry over there seems to treat America like it's one territory even though they got offices in different parts of America - they're still quite sort of 'America is the territory.'
Back when the EPA proposed phasing out ozone-depleting CFCs, the chemical industry howled that refrigerators would fail in America's supermarkets, hospitals and schools.
A lot is said, by foreigners and the left, about America being a violent society. Yet if you subtract the crime statistics for its largest cities places that have been under the strict political control of so-called "progressives", sometimes for many generations what remains, the real America, is the most peaceful, productive, prosperous, and truly progressive civilization in all of human history.
Life, like any other exciting story, is bound to have painful and scary parts, boring and depressing parts, but it's a brilliant story, and it's up to us how it will turn out in the end.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
Those externalized costs have always included labor. It is only the decline over time of the minimum wage in real dollars that's made the fast food industry possible, along with feedlot agriculture, pharmaceuticals on the farm, pesticides and regulatory forbearance. All these things are part of the answer to the question: Why is that crap so cheap? Our food is dishonestly priced. One of the ways in which it's dishonestly priced is the fact that people are not paid a living wage to process it, to serve it, to grow it, to slaughter it.
One of the things I love most about second person is that it reminds the reader that they are reading a text. It doesn't allow them to drift into the story and not notice that they are reading a book - a book that has an author.
Marxists make it an objective to control education, that's how they control minds, countries, populations. We conservatives don't like to control anybody, we're not even activists. We just leave people alone, figure if everybody has the same morality and the same set of values and is focusing on the same basic human things using God-given human freedom, that things are gonna work out fine. That's what America has demonstrated is true, that's being protested this very day. It's not fine; America's unjust, unfair, and all these things. That's the fight we're in the middle of.
The people who typically tell the story of what's going on in America are from the booming parts of America. The presentation of issues is colored by that.
There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
This is the problem with over-crowded inner-city schools there aren't enough parts for everyone in the nativity story.
In crime fiction, I just don't write the parts that aren't a thriller and it's exactly the same in my TV reporting - I distill the essence of the story until it's only the jewels of the tale - and leave in only the most compelling and exciting parts.
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