A Quote by Rachel Cohn

It still might be a shock. To realize you are just one story walking among millions. — © Rachel Cohn
It still might be a shock. To realize you are just one story walking among millions.
Everytime you read, you are walking among the dead, and, if you are listening, you just might hear prophecies.
*I want to keep walking away from the person I was a moment ago... *So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. *We get one story, you and I, and one story alone....It might be time for you to go. It might be time to change, to shine out.
The classic story of the Univision network is the mainstream pretends that the network doesn't exist, but then when it comes to sweeps or the ratings, they just have millions and millions more viewers than ABC, Fox, and CBS combined; it's that kind of a success story.
Plays are about understanding what happens, what it means. If we just leaned into the story, for lack of a better word, it would still be a powerful story but, like delight, it might disappear an hour after you saw it.
In the thousands of stories I've collected over the years there are people who just want to know that their story matters, that their story isn't beyond hope. And people, no matter how broken a story I might read, I have always found at least a glimpse of God's hand still at work in each and every story. I have been powerfully reminded that God is in the junkyard business. He willingly walks into the messiest parts of our lives, gets his hands dirty, and begins building something beautiful out of that very thing which the world might overlook as worthless.
Going into that race I was going for the world record, just quietly, but I wasn't feeling at my best all week so it was hard to determine what would happen. I could not believe it, I went into shock, I'm still in shock.
Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.
It was like a dream come true for me. When you write the book, it's still intimate. It might have been a best-seller but it's still my story, as I wrote it. The moment we or they make a movie, it's not my story anymore. There's a lot of letting go involved in the process.
My da used to sing 'Take Her Up to Monto' to me when we were walking down the street - he still does, actually - because it's got a walking tempo, and I still sing it to myself when I'm walking along.
What I've learned is that the audience is constantly rotating. Just because it feels like I've said it, there are millions and millions of people that have still never heard of it.
I just use all the skills that I learned in film school, and I just incorporate them into my sketches. People don't realize that, with a story, there has to be a beginning, middle and end. There has to be a problem and a resolution. Just because it's six seconds doesn't mean it's not a story.
There is no cure for prions. They are a protein-based disease that, among other things, targets and transforms your brain. The symptoms reveal themselves differently in each host, and you might go months or you might go years before you realize you're infected.
The best thing is not to be born. But who is as lucky as that? To whom does it happen? Not to one among millions and millions of people.
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.
What I love about film scoring is that all the answers are in the story. You just need to get in tune with the story and realize it musically.
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