A Quote by Rachel Cohn

The handwriting was a girl’s. I mean, you can tell. That enchanted cursive. — © Rachel Cohn
The handwriting was a girl’s. I mean, you can tell. That enchanted cursive.
I went to an all-girls' Catholic school for, like, six years during the time when kids actually had handwriting class. I've always had a propensity for getting the cursive down pretty well.
Why can't Pluto be a planet? Some people like Pluto. And if it doesn't exist then they don't have a favorite planet. Right? Please write back but not in cursive because I can't read cursive.
When I came up with the Alexa Bliss character, I wanted to be the girl that everyone knew. There was always that girl in high school who was mean to everybody. She was mean and rude, but everyone still voted for her to be homecoming queen. That girl. And I wanted to portray that girl.
Actually 'bad' doesn't do justice to my handwriting. Neither does 'handwriting.' 'Desecration of paper' about covers it.
I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
Cursive writing does not mean what I think it does.
You can tell a lot about a person by their handwriting.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
I remember as a child I just would copy everyone else's handwriting, and now I have sort of a version of my sister's handwriting. And I feel like - sometimes I feel that way for my voice.
There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.
Can you be a girl for a few seconds?" "I'm always a girl" I frown. "You know what I mean. Like a silly, annoying girl" I twirl my hair around my finger. "Kay.
Tell me I didn't imagine it, Leo. Tell me that even though our bodies were in seperate states, our star selves shared an enchanted place. Tell me that right around noon today (eastern time) you had the strangest sensation: a tiny chill on your shoulder...a flutter in the heart...a shadow of strawberry-banana crossing your tongue...tell me you whispered my name.
Obviously, I can't tell the story of what it is to be a black girl, but maybe I can tell something else. Girlhood is not about what it's like to be a black girl, it's about what it's like to be a girl.
Guys never looked at me. I always had crushes on older seniors who never looked at me. So, when I tell directors that I wanna play that girl who gets rejected, they're like, 'Why?' I tell them it's because I relate to that girl much more than being the girl who makes jaws drop when she walks into a room.
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