I was born wise. Street-wise, people-wise, self-wise. This wisdom was my birthright.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
I tend to use a lot of movement in both camera and characters, and I also tend to give characters a lot to physically do.
Remember, you cannot be both young and wise. Young people who pretend to be wise to the ways of the world are mostly just cynics.
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
There are, of course, fat characters in books out there, some of them quite enduring and famous. But they tend to be creatures of young-adult or commercial fiction.
The Tonight Show' afforded us the opportunity to work with The Muppets and other 'Sesame Street' characters, and we always had the desire to do something that spoke to young people.
The kind of roles that I'm right for on stage tend to be quite young, and ingénue roles can be a little unfulfilling. They tend to fall into one slot: play the innocent young girl who comes on and does a lot of crying.
In the West the wise are usually thought of as leaders. In the East, the wise are very often though of as followers.
Because I didn't have brothers, I was always interested in the kids down the street that had four brothers in their family, so I became one of them - but it was not my family. I've always been attracted to temporary families. They tend to be lost characters.
When you are drawing characters to serve a plot purpose, you tend to get flat, stereotyped, unliving characters.
All characters come from people I know, but after the initial inspiration, I tend to modify the characters so they fit with the story.
My view on politics is much more grassroots oriented; it's not old boy network oriented, so I tend to, you know, come at it a little bit stronger, a little bit more street-wise, if you will. That's rubbed some feathers the wrong way.
I went from being able to walk down the street and be ignored to having men whistle at me. I was an insecure young girl, and it felt good to have attention, even though it was inappropriate.
If you young fellows were wise, the devil couldn't do anything to you, but since you aren't wise, you need us who are old.
We generally pretend to be something to survive in a society. So the characters I play, I want them to be wholesome characters. They are not necessarily the most wise people, but they do have a heart and soul.