A Quote by Rachel Dolezal
I felt very isolated with my identity virtually my entire life, that nobody really got it and that I really didn't have the personal agency to express it, i kind of imagined that maybe at some point (I'd have to) own it publicly and discuss this kind of complexity.
Related Quotes
I felt very isolated with my identity virtually my entire life, that nobody really got it and that I didn't really have the personal agency to express it.
Very often at the end of 'The Sopranos' you get the feeling that its not under control, you should be very worried, and life is kind of really, really messed up at lot of times. It leaves you feeling very disconcerted. That was kind of the point of it.
I lived in buses. I didn't really have anything else. I didn't feel like a female, and I ended up really kind of isolated. Everybody thinks you're so happy and so wealthy and such a big star, but you're really kind of lonely and don't know how to stop it.
I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.
My entire life, I wake up, and at some point in the afternoon, I head toward some kind of musical recording device. My entire life.
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
I felt like for it to really turn into something, you have to jump in with both feet. And it always turns out a little different than you imagined it, but that's kind of the beauty of it, when you feel musically confident enough to just kind of follow where it goes.
I never played sports or got into the whole guy camaraderie of, like, 'I love you, man! Seniors forever!' So suddenly being in the military with these guys who were under these very heightened circumstances, isolated from their families, living this very kind of Greek lifestyle, it changed my life in a really big way.
Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things the job, the house, the this, the that do not really fill the place inside.
The body is some kind of image of you, it's kind of something that's just attached to your soul, some kind of outside principle, which doesn't really represent who you really are.
When I look at the majority of my own songs they really came from my own sense of personal confusion or need to express some pain or beauty - they were coming from a universal and personal place.
I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
My middle name really is perseverance. I've always believed that I had talent, even when I felt like a very inferior sort of person, which I spent a lot of time living my life feeling that I wasn't worthy. But even then I knew that I had something special, and maybe that's what it takes. Maybe people need to have that kind of particular core driving them. But I felt I had talent.
My parents split up when I was young, and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness--or consciousnessless, maybe; could gravity trick itself like that?--of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think.
I was just very into things that were the opposite of what other people liked. I didn't want to listen to music that I could find at a friend's house. My identity was really forged around that, and you know, eventually that kind of identity gets dismantled and fed to the vultures. But I was somehow on my own mission.
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