A Quote by Rachel Dolezal

I identify as black. — © Rachel Dolezal
I identify as black.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
I identify as African American. I identify as Black. Black is something I share with other descendants of Africa, African-American is something I share with other Black descendants of America and both of those identities are of equal importance to me.
My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.
Black culture, to me, is so important and I identify with young black women.
It's like one of the best things that can ever happen to you as an actor: to have your story reach people, even if they don't look like you and even though they may not be able to identify with a black male; they can still identify with what's happening to you.
I'm lucky because I have so many clashing cultural, racial things going on: black, Jewish, Irish, Portuguese, Cherokee. I can float and be part of any community I want. The thing is, I do identify with being black, and if people don't identify me that way that's their issue. I’m happy to challenge people's understanding of what it looks like to be biracial, because guess what? In the next 50 years, people will start looking more and more like me.
When I go to the movies, I'm expected to identify with all of the characters, and most of them are white. But when you put a black character in there, somehow the white audience isn't expected to identify with them. That's a problem.
Success can never identify who you are. You must always identify it. You cannot allow the failures to identify who you are.
I identify with my body, but I don't identify it as male or female; I just identify it as a vehicle to help me bring my awareness around the world.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
Dad's fear, especially when I was 18, was that, in the music industry in the U.K., there wasn't really anybody I would aspire to who was of black origin and who was successful. It was mainly black American musicians in the charts and, at that age, I think you look for someone you can identify with, and there wasn't really anyone.
You are the antithesis of a racist if you're white and you want to be black and you go out and do everything you can to identify as black, how in the world can they condemn that? That's not fraud. That's good intentions. And as we know, as we've learned, we are supposed to examine the good intentions and not the nature of the evidence.
There's not a lot of black Republicans that are willing to openly identify.
I could characterize nearly any spiritual practice as simply this: identify and quit, identify and quit, identify and quit. Identify the myriad forms of limitation and delusion we place upon ourselves, and muster the courage to quit each one. Little by little, deep inside us, the diamond shines, the eyes open, the dawn rises, we become what we already are.
Mixed-race blacks have an ethical obligation to identify as black - and interracial couples share a similar moral imperative to inculcate certain ideas of black heritage and racial identity in their mixed-race children, regardless of how they look.
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