A Quote by Rachel Dolezal
If people feel misled or deceived, then sorry that they feel that way, but I believe that's more due to their definition and construct of race in their own minds than it is to my integrity or honesty, because I wouldn't say I'm African American, but I would say I'm black, and there's a difference in those terms.
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I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.
I feel like I come from a smaller off shoot of black people because I am mixed. People say I'm African American but that doesn't include the other half of me.
I feel like I come from a smaller off shoot of black people because I am mixed. People say I’m African American but that doesn’t include the other half of me.
I sing with all my heart and when I see the audience feel it too, I feel so touched I get goosebumps…To my fans, I would like to say, 'I will work harder', rather than to say, 'I love you' because I believe that sincerity has its way of getting across to touch hearts.
How do you say one actor is better than another actor? You can definitely say that in the Olympics if it's the same race and someone wins the race. The only way to really do it and have it be sincere would be if you get all the actors together, and they're all playing the same part, and then you rate which one made you feel the most.
I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from.
My sister has an incredible body. I feel sorry for anyone who would judge her, because she's one sexy lady... It's disgusting that people would say those things.
This is not the kind of country where you would feel comfortable if you were opposed to democracy, parliamentary law, independent courts and so I would say to people who don't feel comfortable with those values there might be other countries where they'd feel more comfortable with their own values or beliefs.
I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
I find that people today tend to use them interchangeably. I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, "No, thank you." I say, "I feel that this represents Latinos in a wrong way, in a bad way."
The more invested I am in my own ideas about reality, the more those experiences will feel like victimizations rather than the ups and downs of relating. Actually, I believe that the less I conceptualize things that way, the more likely it is that people will want to stay by me, because they will not feel burdened, consciously or unconsciously, by my projections, judgments, entitlements, or unrealistic expectations.
Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."
I think most people, if I asked, would say, "Yes, of course I believe." But I think for a great many of them it doesn't really make much difference in terms of either what they do with their lives or with their own inner well-being. They believe because so did grandfather, and that's the same church they've been going to all these years.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
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